Madder & OchreBy Bartele Gallery
Madder & Ochre / Cream walls
Dutch Pepping Apples, Grauwe Rabau and Princesse Noble, Knoop, 1790, in the roomIn the room
Natural History Print · 1790

Dutch Pepping Apples, Grauwe Rabau and Princesse Noble, Knoop, 1790

€295BG-05122-6

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Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #DAD2B7RGB 218, 210, 18328%
Gilt · #988D63RGB 152, 141, 9926%
Sepia · #69634BRGB 105, 99, 7520%
Yellow ochre · #C9B55FRGB 201, 181, 9512%
Umber · #825243RGB 130, 82, 677%
Straw · #D2C68FRGB 210, 198, 1437%
Sheet
24 cm × 32 cm (width × height)
Framed as shown
44 cm × 52 cm
Shown on
Cream wall
Size
Medium, 50 to 80 cm (20 to 31 in) framed
Date
1790
Technique
Copper Engraving
Color
Original hand color
Condition
Good
Stock no.
BG-05122-6

An original hand-colored copper engraving of nine named apple varieties, lettered with their names and the months in which they ripen. This is a plate of keepers and russets: Soete Erveling, Winter-Striepeling, Blanke Pepping, Soete Son-Appel, Witte Soete Jopen, Princesse Noble, Grauwe Rabau, Soete Bobbert and Grauwe Pepping. Almost every fruit here comes in between November and February, which tells you these were the apples a Dutch household stored for winter eating. Jacob Folkema cut the plate from Knoop's drawings, and his engraved hatching carries the dull netted skin of the two Peppings and the rough gray cheek of the Rabau convincingly. Over that hatching the color is brushed on by hand, russet browns and olive greens pooling unevenly in a way no printing process reproduces.

Knoop's pomology appeared at Amsterdam and Dordrecht in 1790 from the presses of Allart, Holtrop, de Leeuw and Krap, carrying a preface by Johannes Florentius Martinet. The plates had first been cut for the Leeuwarden editions of 1758 and 1763 and were printed again here from the same coppers. Johann Hermann Knoop drew the fruit from life in the stadtholder's garden at Leeuwarden. The technique is copper engraving with original hand coloring, and the brushwork crosses the engraved outline in places, which is the plain evidence that the color was laid on by hand and not printed.

Winter apples made the difference between a well-stocked and a hungry house, and a plate like this one was a buyer's guide: nine varieties, each with the month it came into eating. Knoop, gardener to the household of the Frisian stadtholder's widow, knew the storage behavior of every sort he drew. Modern heritage orchards still work from his descriptions when they try to name an old tree, which gives the sheet genuine scholarly weight alongside its charm. The muted palette of brown, olive and dusty red is unusually easy to live with, and the plate looks particularly well in a study or a paneled dining room among older furniture.

Light uneven toning, browner towards the edges. Handling soiling along the bottom and top edges. Scattered light foxing in the margin. All four corners complete.

This is an original antique plate, not a modern reproduction. This item is sold unframed.

In the same colors.

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