Madder & OchreBy Bartele Gallery
Madder & Ochre / Stone walls
Rose Crystal Dove Wine Vessel with a Feng-huang Head, Kien-lung, 1911, in the roomIn the room
Other · 1911

Rose Crystal Dove Wine Vessel with a Feng-huang Head, Kien-lung, 1911

€235BG-14405-248

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #EFE4DBRGB 239, 228, 21987%
Charcoal · #41423ARGB 65, 66, 5812%
Charcoal · #646053RGB 100, 96, 831%
Sheet
24 cm × 31 cm (width × height)
Framed as shown
43 cm × 50 cm
Shown on
Stone wall
Size
Medium, 50 to 80 cm (20 to 31 in) framed
Date
1911
Color
Printed color
Condition
Good
Stock no.
BG-14405-248

Plate 248 from Volume II of Gorer and Blacker's Chinese Porcelain and Hard Stones, an original 1911 color plate of a wine vessel in rose crystal mottled with white, formed as a dove with a feng-huang head, after an archaic bronze. Wine vessel, in the form of a dove, with head resembling a fêng-huang, in rose crystal mottled with white. The design, after an archaic bronze, shows the tail curved downwards in conventional style, and above the curved wings a vase is placed; these "dove vases" are commonly so called. The beak forms the knob. The book gives it to the Kien-lung period and records height 11 inches (28 cm); width 9 1/2 inches (24.3 cm).

The sheet comes from Chinese Porcelain and Hard Stones, the two volume work by the London dealer Edgar Gorer and the writer J. F. Blacker, published by Bernard Quaritch of 11 Grafton Street, New Bond Street, in 1911 in an edition of one thousand numbered copies. The plates are color collotypes, a photographic process that reproduces continuous tone without a visible dot screen, which is why the glazes keep their depth on paper.

The book appeared at the height of the Edwardian passion for Chinese porcelain, when English and American collections were being formed at speed and a dealer's catalog could shape taste. R. L. Hobson of the British Museum attacked Gorer's attributions in print when the work appeared, and later scholarship has revised many attributions of this kind, which is part of what makes the volumes interesting to read now.

A sheet of this size frames well at about forty by fifty centimeters and suits a study, a hallway or a dining room where its color can be seen close to.

This is an original antique print, not a modern reproduction.

Even age toning. A few small foxing spots in the margin. Slight wear at the bottom left and bottom right corners.

In the same colors.

Ask about this print

We reply by email, usually within one working day.