Madder & OchreBy Bartele Gallery
Madder & Ochre / Cream walls
Porcelain Model of a Dutch Galliot with Buffalo Head Marriage Cups, 1911, in the roomIn the room
Other · 1911

Porcelain Model of a Dutch Galliot with Buffalo Head Marriage Cups, 1911

€245BG-14405-186

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #EFEBDFRGB 239, 235, 22373%
Charcoal · #414139RGB 65, 65, 5711%
Stone gray · #9B9586RGB 155, 149, 1345%
Moss · #7B846ARGB 123, 132, 1064%
Sepia · #6F6351RGB 111, 99, 814%
Gilt · #B39D6ERGB 179, 157, 1103%
Sheet
31 cm × 24 cm (width × height)
Framed as shown
50 cm × 43 cm
Shown on
Cream wall
Size
Medium, 50 to 80 cm (20 to 31 in) framed
Date
1911
Color
Printed color
Condition
Good
Stock no.
BG-14405-186

Plate 186 from Volume II of Gorer and Blacker's Chinese Porcelain and Hard Stones, an original 1911 color plate of a model of a Dutch galliot with sails set, shown with marriage cups imitating a buffalo head in the style of Greek rhytons. Pair of marriage cups imitating a buffalo's head in the style of the Greek rhytons; also a model of a Dutch galliot and further pieces. The grounds of the marriage cups, of soft green and aubergine, are hatched with black, which also covers the horns and the pupils, in contrast to other parts in white and the colored cord leading from one nostril round the horns. The Dutch galliot has sails set and is colored at the bottom with green, on the hull with splashes of aubergine, on the bulwarks with green surmounted with white, on the poop with yellow and green, the mast yellow and the sails white. The book gives it to the Late Ming period and records height 5 5/8 inches (14.3 cm); width 4 3/4 inches (12 cm), the book giving a size for each piece shown. In the collection of G. L. Bevan, Esq.

The plate belongs to Edgar Gorer and J. F. Blacker's Chinese Porcelain and Hard Stones, issued in London by Bernard Quaritch in 1911, a work in two volumes whose two hundred and fifty four color plates were printed to the highest standard the period could reach. The plates are color collotypes, a photographic process that reproduces continuous tone without a visible dot screen, which is why the glazes keep their depth on paper.

The volumes were produced as a record of pieces Gorer handled or admired, and the plates were made with unusual care for the period. A century later they survive as some of the best color images of early twentieth century taste in Chinese ceramics and hard stones.

Collectors of Chinese ceramics, of early color printing and of Edwardian book illustration all look for these plates, and they work equally well in an interior scheme as in a collection.

This is an original antique print, not a modern reproduction.

Even age toning. Foxing over much of the margin. All four corners complete.

In the same colors.

Ask about this print

We reply by email, usually within one working day.