Madder & OchreBy Bartele Gallery
Madder & Ochre / Cream walls
Pale Lavender Glazed Saucer Plate, Very Early Sung Porcelain, 1911, in the roomIn the room
Other · 1911

Pale Lavender Glazed Saucer Plate, Very Early Sung Porcelain, 1911

€235BG-14405-171

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #E3DFD3RGB 227, 223, 21178%
Prussian blue · #506081RGB 80, 96, 1296%
Prussian blue · #415066RGB 65, 80, 1025%
Slate blue · #5C6F78RGB 92, 111, 1205%
Stone gray · #91948CRGB 145, 148, 1405%
Straw · #D1BC8CRGB 209, 188, 1402%
Sheet
24 cm × 31 cm (width × height)
Framed as shown
43 cm × 50 cm
Shown on
Cream wall
Size
Medium, 50 to 80 cm (20 to 31 in) framed
Date
1911
Color
Printed color
Condition
Good
Stock no.
BG-14405-171

Plate 171 from Volume II of Gorer and Blacker's Chinese Porcelain and Hard Stones, an original 1911 color plate of a saucer shaped plate of very early porcelain with a thick pale lavender glaze running into tears, Sung period. Plate, saucer-shaped, of very early porcelain. Covered with glazes of remarkable character: a wavy rim of brownish tint followed by a thick glaze, pale lavender in color, which on the outside runs into tears as it reaches the brown-smeared biscuit base; the pale lavender glaze is characteristic of this period. The book gives it to the Sung period and records diameter 8 1/4 inches (21 cm). In a private collection.

Chinese Porcelain and Hard Stones, by Edgar Gorer and J. F. Blacker, was published in London by Bernard Quaritch in 1911 in two volumes with two hundred and fifty four color plates, and this sheet is one of them, from Volume II. The plates are color collotypes, a photographic process that reproduces continuous tone without a visible dot screen, which is why the glazes keep their depth on paper.

Edgar Gorer was one of the most visible dealers in Chinese art of his generation. He traded as S. Gorer and Son at 170 New Bond Street with a branch at 500 Fifth Avenue in New York, dealt chiefly in Kangxi, Yongzheng and Qianlong porcelain, and sold to Sir William Lever. He died on 7 May 1915 when the Lusitania was torpedoed, and his body was never recovered.

Collectors of Chinese ceramics, of early color printing and of Edwardian book illustration all look for these plates, and they work equally well in an interior scheme as in a collection.

This is an original antique print, not a modern reproduction.

Even age toning. A few small foxing spots in the margin. Slight wear at the bottom left corner.

In the same colors.

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