Madder & OchreBy Bartele Gallery
Madder & Ochre / Sage walls
Boy Selling Matches at the Mansion House, Cries of London, 1804, in the roomIn the room
Engraving · 1804

Boy Selling Matches at the Mansion House, Cries of London, 1804

€325BG-12935-42

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #D7C9A7RGB 215, 201, 16758%
Charcoal · #585342RGB 88, 83, 6612%
Taupe · #888067RGB 136, 128, 10312%
Moss · #706A54RGB 112, 106, 8411%
Stone gray · #A5997ARGB 165, 153, 1226%
Umber · #855648RGB 133, 86, 722%
Sheet
20 cm × 26 cm (width × height)
Framed as shown
38 cm × 44 cm
Shown on
Sage wall
Size
Small, up to 50 cm (20 in) framed
Date
1804
Technique
Copper Engraving
Color
Hand colored
Condition
Good
Stock no.
BG-12935-42

This is an original hand colored copper engraving, one of the Cries of London plates, lettered "MATCHES." beneath the image. It shows a boy selling matches before the Mansion House. He wears a black hat, a long red coat, blue breeches and gray stockings, and holds a bundle of matches in one hand with a basket of them on his arm. The columned front of the Mansion House rises behind him, with railings at its foot, and a dark masonry wall frames the scene at the right.

The London setting is engraved in script above the image as "Mansion House" and the cry in open capitals below it as "MATCHES.". No artist or engraver is named on this plate. Along the foot runs the imprint "Published. Augst 25. 1804. by Richard Phillips, 71. St. Paul's Church Yard.", dating the plate to August 25, 1804.

The plate comes from Modern London; Being the History and Present State of the British Metropolis, printed for Richard Phillips of St. Paul's Church Yard by C. Mercier and Co. in 1804. Alongside its topographical views of the capital the book included a series of hand colored plates of London street traders, each figure shown in working dress against a named street, square or building, so that the set records both the trades and the appearance of the city at the time. Several plates in the series carry the credit of the painter William Marshall Craig; this one is unsigned.

The hand coloring and the named London setting make it a good choice for a hallway, kitchen or study, alone or hung with other plates from the series.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

Ask about this print

We reply by email, usually within one working day.