Madder & OchreBy Bartele Gallery
Madder & Ochre / Sage walls
Green Hasteds, Newgate, Cries of London, 1804, in the roomIn the room
Engraving · 1804

Green Hasteds, Newgate, Cries of London, 1804

€325BG-12935-35

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #CEC2A1RGB 206, 194, 16156%
Taupe · #867D61RGB 134, 125, 9712%
Charcoal · #535040RGB 83, 80, 6411%
Stone gray · #9F9576RGB 159, 149, 11811%
Sepia · #6C6650RGB 108, 102, 809%
Crimson · #7A413FRGB 122, 65, 632%
Sheet
20 cm × 26 cm (width × height)
Framed as shown
38 cm × 44 cm
Shown on
Sage wall
Size
Small, up to 50 cm (20 in) framed
Date
1804
Technique
Copper Engraving
Color
Hand colored
Condition
Good
Stock no.
BG-12935-35

An original antique hand colored copper engraving of a London street seller, lettered "GREEN HASTEDS!" below the image and "Newgate." in script above it. A boy in a red jacket leans over a large wooden cart heaped with green peas, filling a round wooden measure. Behind him stretches the massive rusticated stone wall of Newgate Prison, with a blind arched window.

The location "Newgate." is engraved in script at the top of the plate and the cry "GREEN HASTEDS!" in open capitals at the bottom. Below the border, the lower left corner carries the artist credit "Craig. del." (meaning Craig drew it), and the center carries the imprint "Published Augst. 25. 1804. by Richard Phillips. 71. St. Pauls Church Yard.", dated August 25, 1804. No engraver is named. "Hasteds" were early green peas. Newgate Prison was rebuilt to designs by George Dance the Younger in the 1770s and 1780s.

Modern London; Being the History and Present State of the British Metropolis was published in London in 1804, printed for Richard Phillips of No. 71, St. Paul's Church-Yard, by C. Mercier and Co., and "illustrated with numerous copper plates." Alongside its views of public buildings it carried a series of plates of the street traders of London, each showing a seller with his or her wares against a recognizable London setting, named in script above the image, with the trader's cry engraved below. William Marshall Craig, credited on the plate as the draftsman, was a London painter in watercolors and miniatures and a drawing master. His designs for the series record the dress, tools and goods of the people who sold in the streets of Georgian London, and they remain a valuable document of everyday life in the city at the beginning of the nineteenth century.

It pairs naturally with other plates from the series and would make a lively addition to a wall of London subjects.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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