Madder & OchreBy Bartele Gallery
Madder & Ochre / Ochre walls
Yellow Toadflax with Peloria Flower Forms, Antique Botanical Plate, circa 1873, in the roomIn the room
Natural History Print · circa 1873

Yellow Toadflax with Peloria Flower Forms, Antique Botanical Plate, circa 1873

€155BG-14434-20

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #DFD8BERGB 223, 216, 19058%
Olive · #899067RGB 137, 144, 10312%
Moss · #6F7659RGB 111, 118, 8910%
Sage · #9DA565RGB 157, 165, 1019%
Yellow ochre · #CCB64FRGB 204, 182, 797%
Taupe · #9C877BRGB 156, 135, 1234%
Sheet
16 cm × 24 cm (width × height)
Framed as shown
34 cm × 42 cm
Shown on
Ochre wall
Size
Small, up to 50 cm (20 in) framed
Date
circa 1873
Technique
Chromolithograph
Color
Printed color
Condition
Fair
Stock no.
BG-14434-20

An original antique botanical plate of the British flora, printed in color in London for Frederick Warne and Co., this sheet is given over to seven British toadflaxes, with the peloria forms of the yellow toadflax drawn separately. A full spike of Linaria vulgaris stands at the center of the sheet in bright yellow with orange lips, and the two peloria flowers are drawn large at the foot of the page, each one a regular five spurred star instead of the usual two lipped flower. Lilac and white toadflaxes trail at the left, a deep crimson purple spike rises at the top right, and ivy shaped leaves run through the lower half.

Anne Pratt's survey of the British flora appeared in six volumes from Frederick Warne and Co. of Covent Garden, London, the five volumes of flowering plants issued first and the volume of grasses, sedges and ferns added in 1873 to complete the set. Volume IV, from which this plate comes, carries 249 species printed in color, and the title page also names the New York agents Scribner, Welford and Armstrong.

A plate from this flora carries its period in every line: the close observation, the crowded but orderly arrangement, the soft printed color laid over careful outline. It sits as comfortably in a modern interior as in a Victorian one, and it has the advantage over a single flower study of giving several related plants together, which makes it rewarding to look at more than once.

Even age toning. Handling soiling along all four edges. Slight wear at the top left corner.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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