Madder & OchreBy Bartele Gallery
Madder & Ochre / Cream walls
Vrouwtjes-Appel and Franse Gulderling, Antique Dutch Apple Plate, 1790, in the roomIn the room
Natural History Print · 1790

Vrouwtjes-Appel and Franse Gulderling, Antique Dutch Apple Plate, 1790

€285BG-05122-4

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Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #D3CDB3RGB 211, 205, 17944%
Sepia · #6B654ERGB 107, 101, 7815%
Taupe · #958A69RGB 149, 138, 10515%
Yellow ochre · #BDAF74RGB 189, 175, 11614%
Madder red · #825043RGB 130, 80, 676%
Vermilion · #AF6052RGB 175, 96, 826%
Sheet
24 cm × 32 cm (width × height)
Framed as shown
44 cm × 52 cm
Shown on
Cream wall
Size
Medium, 50 to 80 cm (20 to 31 in) framed
Date
1790
Technique
Copper Engraving
Color
Original hand color
Condition
Good
Stock no.
BG-05122-4

An antique hand-colored copper engraving of eight named apple varieties, each with its name and ripening months engraved beneath it. The plate ranges from the earliest fruit in the whole series, the Somer-Paradys-Appel of July and August, through to the late keepers: Juffers-Kruidling, Dantziger Kant-Appel, Franse Gulderling, Pomme douce, Kruis-Appel, Pomme Notre Dame or Vrouwtjes-Appel, and Soete Ribbert. Several carry both their Dutch name and the French one used by nurserymen of the period, a reminder of how freely fruit traveled between the two countries. Knoop drew each apple from the living specimen and turned it to show its profile, its crown and the depth of its eye. The hand-applied washes vary within a single fruit, gathering strength on the sunward cheek and fading toward the stalk.

The plate comes from Johann Hermann Knoop's Beschrijving en Afbeeldingen van de beste soorten van Appelen en Peeren, published at Amsterdam and Dordrecht by Allart, Holtrop, de Leeuw and Krap in 1790, with a preface by the Zutphen minister and naturalist Johannes Florentius Martinet. Knoop was gardener to the widow of the Frisian stadtholder at Leeuwarden and the first systematic Dutch pomologist. He drew every fruit from the living specimen, and the plates are lettered ad vivum to say so. The engraving is on copper and the color is original hand color in watercolor, laid over the engraved hatching.

Dutch pomology was practical work, and this sheet shows why: a gardener could carry the names, the shapes and the seasons of eight apples on a single page. Knoop's own garden at Leeuwarden supplied many of the specimens, and a variety such as the Dantziger Kant-Appel maps the Baltic trade routes that brought fruit into the Netherlands. Very few of these apples survive outside heritage collections today. Framed simply and hung in a row along a hallway or a kitchen, plates of this kind carry color without noise, and for collectors of fruit and garden history each one stands as a record of what was worth growing in a Dutch orchard of the later eighteenth century.

Light uneven toning, browner towards the edges. Marked handling soiling along the bottom and top edges. Scattered foxing in the margin. Slight wear at the bottom right corner.

This is an original antique plate, not a modern reproduction. This item is sold unframed.

In the same colors.

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