Madder & OchreBy Bartele Gallery
Madder & Ochre / Ochre walls
Two Barred Crossbill on a Leafy Branch, Morris Bird Plate, 1896, in the roomIn the room
Natural History Print · 1896

Two Barred Crossbill on a Leafy Branch, Morris Bird Plate, 1896

€85BG-11586-4

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #EADEC0RGB 234, 222, 19271%
Rose · #B17D73RGB 177, 125, 11512%
Sepia · #7C6F5DRGB 124, 111, 935%
Stone gray · #9E9579RGB 158, 149, 1215%
Charcoal · #575346RGB 87, 83, 704%
Sage · #A7A769RGB 167, 167, 1053%
Sheet
18 cm × 27 cm (width × height)
Framed as shown
36 cm × 46 cm
Shown on
Ochre wall
Size
Small, up to 50 cm (20 in) framed
Date
1896
Technique
Wood Engraving
Color
Hand colored
Condition
Good
Stock no.
BG-11586-4

An original wood engraved bird plate, colored by hand, captioned "TWO-BARRED CROSSBILL." A single rose pink crossbill sits upright on a pale branch, its body and head turned to the left in profile. The dark bill crosses at the tip. The crown is flecked with darker red, the wings are black and gray with two broad white bars and white edged feathers, and the dark tail points down to the lower right, with a touch of yellow beneath it. At the lower left three lobed, toothed leaves hang from the branch, two in yellow green and one in a cooler blue green, and a bare twig rises at the right end of the branch.

The caption "TWO-BARRED CROSSBILL." is engraved in capitals below the picture, with a full stop. No plate number or engraver's credit appears on the plate. As the name says, the bird is drawn with two white bars across each wing, set against the black of the flight feathers.

The plate comes from the fourth edition of A History of British Birds by the Reverend Francis Orpen Morris (1810 to 1893), rector of Nunburnholme in Yorkshire. This edition was issued in six volumes by John C. Nimmo, London, and the plate belongs to the third volume, whose title page is dated 1896 and states that the plates are colored by hand. The wood blocks for the plates of the work were engraved by Benjamin Fawcett (1808 to 1893) of Driffield in Yorkshire. Each plate combines an engraved black key block with a printed gray tint, finished by hand in watercolor.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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