Madder & OchreBy Bartele Gallery
Madder & Ochre / Stone walls
The Society of Arts Distributing Its Premiums, London, 1804, in the roomIn the room
City View · 1804

The Society of Arts Distributing Its Premiums, London, 1804

€290BG-12935-20

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #D3C7ADRGB 211, 199, 17312%
Taupe · #7A7665RGB 122, 118, 10162%
Stone gray · #9E9782RGB 158, 151, 13016%
Charcoal · #57564ARGB 87, 86, 7411%
Sheet
26 cm × 20 cm (width × height)
Framed as shown
44 cm × 38 cm
Shown on
Stone wall
Size
Small, up to 50 cm (20 in) framed
Date
1804
Technique
Copper Engraving
Color
Uncolored
Condition
Good
Stock no.
BG-12935-20

This is an original antique copper engraving, uncolored, lettered "The Society of Arts distributing its premiums." The view shows the Society's great room during a prize giving. The president sits at a desk on a raised platform at the left, with officers beside him, while a large audience, many of them women in white gowns and bonnets, fills curved tiers of benches across the room.

The title is engraved in script below the image. The artist's credit "Pugh del." is at lower left and the engraver's credit "Engraved by Isaac Taylor" at lower right. Beneath the title is the imprint "Published Augt 11-1804 by Richard Phillips, 71 St Paul's Church Yard."

The plate comes from Modern London; Being the History and Present State of the British Metropolis, printed for Richard Phillips, No. 71, St. Paul's Church-Yard, by C. Mercier and Co., Northumberland-court, Strand, in 1804, and "illustrated with numerous copper plates." Many of its topographical views were drawn by Edward Pugh, a Welsh painter working in London, and engraved on copper by several London engravers, each of whom signed his own plate. The Society for the Encouragement of Arts, Manufactures and Commerce awarded premiums for inventions and improvements, and its great room in the Adelphi was decorated with the series of large paintings by James Barry seen on the walls.

Of particular interest to anyone connected with the Royal Society of Arts or with the history of design and invention.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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