Madder & OchreBy Bartele Gallery
Madder & Ochre / Cream walls
Set of 2 Antique Hand-Colored Fern Engravings, Asplenium ambiguum, 1806-1809, in the room 1In the room 1
Natural History Print · 1806-1809

Set of 2 Antique Hand-Colored Fern Engravings, Asplenium ambiguum, 1806-1809

€335BG-14438-106

Interior designers: BarTrade members buy at their trade price. How it works

A set of 2 sheetsThis listing is 2 original sheets from the same publication, sold together and never split. The price is for the whole set. More sets
Shown framed for scaleYou receive the original sheets, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #E7E1C6RGB 231, 225, 19881%
Olive · #7C8652RGB 124, 134, 8211%
Sage · #9BA673RGB 155, 166, 1153%
Moss · #5A6040RGB 90, 96, 643%
Taupe · #908565RGB 144, 133, 1012%
Sheet
20 cm × 24 cm (width × height)
Framed as shown
38 cm × 42 cm
Shown on
Cream wall
Size
Small, up to 50 cm (20 in) framed
Date
1806-1809
Technique
Copper Engraving
Color
Original hand color
Condition
Good
Stock no.
BG-14438-106

This is an original set of 2 antique hand-colored copper engravings of spleenworts, sold together, from Christian Schkuhr's survey of the ferns and fern allies printed at Wittenberg between 1806 and 1809. Asplenium ambiguum on two sheets, Tab. 75 and the supplementary Tab. 75 b, a detail study and the whole frond. The 2 sheets are Asplenium ambiguum and Asplenium ambiguum. They are the same size, printed from the same press and colored by the same hand, so they frame and hang as one group.

Christian Schkuhr, 1741 to 1811, is one of the few botanical authors who was also his own artist, engraver and publisher. He came to botany from gardening, settled at Wittenberg, and devoted himself to the Linnaean system. This sheet belongs to his volume on the ferns and their allies, published at Wittenberg in nine instalments between 1806 and 1809, with 221 copper plates in all. The numbering runs to 173, with supplementary lettered plates inserted where he had more to show than one sheet would hold.

The sheet is a copper engraving finished in watercolor by hand, and the coloring is original to the period of publication. The wash sits over the engraved outline and varies from figure to figure in the way hand work does, with the greens laid in several strengths to separate the upper and lower surfaces of the frond. The paper carries the plate mark of the copper plate. A plate of this kind is easy to live with. The green against the warm paper is quiet, the drawing is precise, and the sheet works alone above a desk or in a run of three or four down a hallway. Collectors of botanical art, of early natural history illustration and of German copperplate work all look for Schkuhr's sheets.

Light uneven toning, browner towards the edges. Handling soiling along the edges of both sheets. Light foxing in the margins of one of the two sheets. Slight wear at the corners of one of the two sheets.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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