Madder & OchreBy Bartele Gallery
Madder & Ochre / Stone walls
Decorative 19th Century Hand-Colored Fern Engraving, Aspidium obtusum, 1806-1809, in the roomIn the room
Natural History Print · 1806-1809

Decorative 19th Century Hand-Colored Fern Engraving, Aspidium obtusum, 1806-1809

€173BG-14438-69

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #D5CEB6RGB 213, 206, 18277%
Moss · #7C8859RGB 124, 136, 897%
Sage · #98A572RGB 152, 165, 1145%
Moss · #6E6D50RGB 110, 109, 805%
Stone gray · #949275RGB 148, 146, 1174%
Sepia · #866843RGB 134, 104, 672%
Sheet
20 cm × 24 cm (width × height)
Framed as shown
38 cm × 42 cm
Shown on
Stone wall
Size
Small, up to 50 cm (20 in) framed
Date
1806-1809
Technique
Copper Engraving
Color
Original hand color
Condition
Good
Stock no.
BG-14438-69

This hand-colored antique copper engraving shows Aspidium obtusum, and is plate 43.b from the fern volume of Christian Schkuhr's cryptogamic flora, Wittenberg, 1806 to 1809. Aspidium is Schkuhr's name for the shield ferns, the group that later botanists split into Dryopteris, Polystichum and their relatives. The sheet carries 2 species, lettered Aspidium obtusum and Aspidium drepanum beneath the figures, with the plate number engraved at the upper right. Beside the habit drawing Schkuhr adds the small lettered analyses he is known for, the spore cases, the scales and the sections that make the plate useful to a botanist as well as pleasant to look at.

The plate comes from Christian Schkuhr's account of the twenty-fourth Linnaean class, the cryptogams, the plants that reproduce by spores rather than by flowers. Schkuhr, who was born at Pegau in 1741 and died at Wittenberg in 1811, worked first as a gardener, studied at the University of Wittenberg, and taught himself drawing and engraving so completely that he drew, engraved and published his own plates. The fern volume appeared in nine instalments between 1806 and 1809 and carries 221 plates, numbered to 173 with lettered supplements added as new material reached him.

This is an engraving on copper with original hand coloring, printed on the bluish paper that the first impressions of the work were issued on. The engraved line carries the structure and the watercolor carries the color, applied by hand so that no two copies of the plate are quite alike. Fern plates hang well because the subject is shape rather than incident, and a sheet like this reads clearly from across a room. It suits a study, a hallway, a bathroom or a kitchen, and it sits comfortably with other botanical work, with natural history prints and with plain modern interiors where a single green form on cream paper is enough.

Light uneven toning, browner towards the edges. Handling soiling along the bottom, right and top edges. Scattered light foxing in the margin. All four corners complete.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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