Madder & OchreBy Bartele Gallery
Madder & Ochre / Cream walls
Sand Seller at Saint Giles's Church, Cries of London, 1804, in the roomIn the room
Engraving · 1804

Sand Seller at Saint Giles's Church, Cries of London, 1804

€325BG-12935-49

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Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #D7CAA7RGB 215, 202, 16760%
Sepia · #726B54RGB 114, 107, 8420%
Stone gray · #A1987ARGB 161, 152, 12210%
Charcoal · #5A5645RGB 90, 86, 6910%
Yellow ochre · #CCB47CRGB 204, 180, 1241%
Sheet
20 cm × 26 cm (width × height)
Framed as shown
38 cm × 44 cm
Shown on
Cream wall
Size
Small, up to 50 cm (20 in) framed
Date
1804
Technique
Copper Engraving
Color
Hand colored
Condition
Good
Stock no.
BG-12935-49

This is an original hand colored copper engraving, one of the Cries of London plates, lettered "SAND O!" beneath the image. It shows a sand seller beside his cart outside Saint Giles's Church. He wears a black hat, a red neckerchief, a long yellow coat and green breeches, and rests his hands on a wooden cart heaped with sand, reaching toward a measure that lies on the load beside a shovel. The church with its tall arched windows and steeple stands behind, with railings at the right.

The London setting is engraved in script above the image as "St. Giles's Church" and the cry in open capitals below it as "SAND O!". At the lower left is the artist's credit "Craig.del." (del., for delineavit, "drew it"), naming William Marshall Craig as the designer. Along the foot runs the imprint "Published Aug. 7. 1804. by Richard Phillips. 71. St. Pauls Church Yard.", dating the plate to August 7, 1804.

The plate comes from Modern London; Being the History and Present State of the British Metropolis, printed for Richard Phillips of St. Paul's Church Yard by C. Mercier and Co. in 1804. Alongside its topographical views of the capital the book included a series of hand colored plates of London street traders, each figure shown in working dress against a named street, square or building, so that the set records both the trades and the appearance of the city at the time. The designs in the series are credited to the painter William Marshall Craig where the plates carry his name, as this one does.

The hand coloring and the named London setting make it a good choice for a hallway, kitchen or study, alone or hung with other plates from the series.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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