Madder & OchreBy Bartele Gallery
Madder & Ochre / Stone walls
Papuan of Dorey Harbor, Antique Wahlen Costume Print, 1843-1844, in the roomIn the room
Ethnographic Print · 1843-1844

Papuan of Dorey Harbor, Antique Wahlen Costume Print, 1843-1844

€145BG-14392-29

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Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #EDE4BERGB 237, 228, 19085%
Taupe · #8E8A74RGB 142, 138, 11610%
Moss · #666554RGB 102, 101, 843%
Charcoal · #4F4E41RGB 79, 78, 652%
Sheet
16 cm × 26 cm (width × height)
Framed as shown
34 cm × 44 cm
Shown on
Stone wall
Size
Small, up to 50 cm (20 in) framed
Date
1843-1844
Technique
Woodcut
Color
Uncolored
Condition
Good
Stock no.
BG-14392-29

An original antique wood engraving of a Papuan of Dorey Harbor in New Guinea, an ethnographic costume print from Auguste Wahlen's Moeurs, usages et costumes de tous les peuples du monde, published in Brussels between 1843 and 1844. The plate is lettered "Papou du Havre Dorey (Nouvelle Guinée.)". Havre Dorey is Dorei or Doreh Bay, on the Bird's Head peninsula of western New Guinea, near the modern town of Manokwari; the plate letters it in the older French form. Doreh Bay was one of the few anchorages on that coast used regularly by European ships in the first half of the nineteenth century, and the French voyages that called there, Duperrey's among them, supplied most of the Papuan imagery that reached European publishers, so a Brussels costume book of the 1840s drew on a narrow and much repeated set of sources.

Moeurs, usages et costumes de tous les peuples du monde was published in Brussels by Auguste Wahlen at the Librairie Historique-Artistique between 1843 and 1844. The four volumes set out to describe the dress, customs, occupations and social divisions of the peoples of Europe, Asia, Africa, the Americas and Oceania, drawing on travel narratives, earlier costume books and other sources then treated as authoritative, and they carried approximately one hundred and ninety to two hundred plates, the count varying between copies and editions.

Wahlen was the publisher and compiler rather than the artist; where a name such as Duverger, Pannemaker, Mercier, Lisbet, Markaert or Vermorcken appears on a sheet it belongs to the illustrator or the engraver, and no artist is attributed here without one.

The plates are wood engravings on paper. The images should be read as a nineteenth century European interpretation of the cultures they show rather than as a documentary record, which is a large part of what makes the series interesting to historians of the period. The sheet is uncolored, as issued, and the wood engraving prints with the crisp line and even tone that suits a simple mount and a plain frame. Plates from this series group well, and a set of four or six drawn from the Oceania section hangs better together than a single sheet on its own.

The sheet is in good condition for its age, with light toning and some small chips along the right edge, well clear of the image, which is clean and strong.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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