Madder & OchreBy Bartele Gallery
Madder & Ochre / Ochre walls
Navigational Chart of Mexico's Coast, with Acapulco and Port Marquis, 1748, in the roomIn the room
Antique Map · 1748

Navigational Chart of Mexico's Coast, with Acapulco and Port Marquis, 1748

€140f_26922022

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #CFBC97RGB 207, 188, 1516%
Straw · #D6C194RGB 214, 193, 14877%
Gilt · #B9A478RGB 185, 164, 12011%
Taupe · #938260RGB 147, 130, 964%
Umber · #5D503BRGB 93, 80, 592%
Sheet
45 cm × 25 cm (width × height)
Framed as shown
67 cm × 47 cm
Shown on
Ochre wall
Size
Medium, 50 to 80 cm (20 to 31 in) framed
Date
1748
Condition
Good
Stock no.
PCT-56789

The Form of Cruising off Acapulca on the Coast of Mexico in the South Seas in the Year 1742, an original engraved navigational chart from George Anson's A Voyage round the World in the Years MDCCXL, I, II, III, IV, published in London by J. and P. Knapton in 1748. A title block at the upper right names His Majesty's ships Centurion, Gloucester, Tryall Prize, Carmila Prize and Carmin Prize.

The coast of Mexico is shown as a heavy diagonal line crossing the upper half of the sheet, with the port of Acapulca marked A and Port Marquis (Puerto Marqués) marked B at a small inlet. Lines radiating from the harbor mouth give the stations of the ships, each labeled with its bearing and its distance in leagues, from three to five leagues off shore, and two cutters marked C lie close to the land, keeping watch at night to observe the movements of the Manila ship. A scale of leagues runs along the lower right.

Anson led a British squadron to the Pacific coast of the Spanish empire during the war with Spain, which began in 1740. Of a crew of about 960, fewer than 350 survived. The voyage ended with the capture of the Manila galleon, and the official account was compiled by Richard Walter.

In the same colors.

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