Madder & OchreBy Bartele Gallery
Madder & Ochre / Cream walls
Kang-he Baluster Vases with the Emperor and Mounted Warriors, Plate, 1911, in the roomIn the room
Other · 1911

Kang-he Baluster Vases with the Emperor and Mounted Warriors, Plate, 1911

€220BG-14405-142

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Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #E8E8E0RGB 232, 232, 22485%
Slate blue · #7D9CB8RGB 125, 156, 1849%
Slate blue · #5078A3RGB 80, 120, 1635%
Sheet
31 cm × 24 cm (width × height)
Framed as shown
50 cm × 43 cm
Shown on
Cream wall
Size
Medium, 50 to 80 cm (20 to 31 in) framed
Date
1911
Color
Printed color
Condition
Good
Stock no.
BG-14405-142

Plate 142 from Volume II of Gorer and Blacker's Chinese Porcelain and Hard Stones, an original 1911 color plate of two baluster vases in blue on white, one with the emperor and mounted warriors, the other with a prunus tree. Group of two baluster vases. A rare decoration of fine blue upon white, in which an unusual prominence is given to the beauty of the white ground; the taller vase shows the emperor with his attendants and his mounted warriors in a landscape of elaborate rocky scenery, with sprays of flowers painted in blue. The smaller vase has a very rare decoration of the prunus-tree, the trunk slightly shaded in blue. The book gives it to the Kang-he period and records height 18 1/2 inches (47 cm); height 17 1/2 inches (47 cm). From the collection formed by Richard Bennett, Esq., D.L.

The plate belongs to Edgar Gorer and J. F. Blacker's Chinese Porcelain and Hard Stones, issued in London by Bernard Quaritch in 1911, a work in two volumes whose two hundred and fifty four color plates were printed to the highest standard the period could reach. The plates are color collotypes, a photographic process that reproduces continuous tone without a visible dot screen, which is why the glazes keep their depth on paper.

The volumes were produced as a record of pieces Gorer handled or admired, and the plates were made with unusual care for the period. A century later they survive as some of the best color images of early twentieth century taste in Chinese ceramics and hard stones.

Hung as a group with other plates from the same work, it builds into a decorative scheme with a common palette and a common hand.

This is an original antique print, not a modern reproduction.

Even age toning. All four corners complete.

In the same colors.

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