Madder & OchreBy Bartele Gallery
Madder & Ochre / Oxblood walls
Hand-Colored Vue d’Optique of the Harbor of Havana, Cuba, circa 1770, in the roomIn the room
Engraving · 1770

Hand-Colored Vue d’Optique of the Harbor of Havana, Cuba, circa 1770

€610f_37325212

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Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #C4C8BARGB 196, 200, 18665%
Taupe · #837F66RGB 131, 127, 10212%
Stone gray · #999A83RGB 153, 154, 13110%
Sepia · #6F6853RGB 111, 104, 838%
Gilt · #A49670RGB 164, 150, 1124%
Stone gray · #94A09FRGB 148, 160, 1591%
Sheet
37 cm × 30 cm (width × height)
Framed as shown
57 cm × 51 cm
Shown on
Oxblood wall
Size
Medium, 50 to 80 cm (20 to 31 in) framed
Date
1770
Condition
Good
Stock no.
BG-13592

Havana harbor in a hand-colored vue d'optique, an original engraving published in Paris by Daumont around 1770 and dated circa 1770 in the item fields. The title is engraved beneath the image in English and French, "A View General of the City de Havana of Amerique" and "Vue Generalle de la Ville de Havanne en Amerique", with the French title printed in reverse above the view. Optical prints of this kind were designed to be seen through a zograscope.

The view looks across the harbor toward the city. In the left foreground a large galleon fires its cannon, with smoke drifting across the water, and smaller sailing boats with their crews cross the channel. The castle tower at the harbor mouth stands at the center, and the chain boom can be seen stretched across the entrance. Beyond lie the city's roofs and church spires, ships at the quays and hills on the horizon. The naive coloring is standard for these prints, though the English version of the title is unusually inept.

By the middle of the eighteenth century Havana had more than seventy thousand inhabitants and was the third-largest city in the Americas, behind Lima and Mexico City but ahead of Boston and New York.

In the same colors.

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