Madder & OchreBy Bartele Gallery
Madder & Ochre / Cream walls
Elegant Antique Hand-Colored Fern Print, Polypodium quercifolium, 1806-1809, in the roomIn the room
Natural History Print · 1806-1809

Elegant Antique Hand-Colored Fern Print, Polypodium quercifolium, 1806-1809

€210BG-14438-21

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #C9CEB6RGB 201, 206, 18245%
Moss · #7A855DRGB 122, 133, 9333%
Moss · #646A4DRGB 100, 106, 7711%
Taupe · #938673RGB 147, 134, 1156%
Charcoal · #5A5545RGB 90, 85, 695%
Sheet
20 cm × 24 cm (width × height)
Framed as shown
38 cm × 42 cm
Shown on
Cream wall
Size
Small, up to 50 cm (20 in) framed
Date
1806-1809
Technique
Copper Engraving
Color
Original hand color
Condition
Good
Stock no.
BG-14438-21

This original antique hand-colored copper engraving of Polypodium quercifolium is plate 13 from Christian Schkuhr's survey of the ferns and fern allies, printed at Wittenberg between 1806 and 1809. Polypody is the genus Schkuhr gives most room to, and it runs through the first third of the volume. The sheet is lettered Polypodium quercifolium beneath the figure, in the engraved script Schkuhr used throughout the work, and the plate number is engraved at the upper right. Beside the habit drawing Schkuhr adds the small lettered analyses he is known for, the spore cases, the scales and the sections that make the plate useful to a botanist as well as pleasant to look at.

The plate comes from Christian Schkuhr's account of the twenty-fourth Linnaean class, the cryptogams, the plants that reproduce by spores rather than by flowers. Schkuhr, who was born at Pegau in 1741 and died at Wittenberg in 1811, worked first as a gardener, studied at the University of Wittenberg, and taught himself drawing and engraving so completely that he drew, engraved and published his own plates. The fern volume appeared in nine instalments between 1806 and 1809 and carries 221 plates, numbered to 173 with lettered supplements added as new material reached him.

This is an engraving on copper with original hand coloring, printed on the bluish paper that the first impressions of the work were issued on. The engraved line carries the structure and the watercolor carries the color, applied by hand so that no two copies of the plate are quite alike. Fern plates hang well because the subject is shape rather than incident, and a sheet like this reads clearly from across a room. It suits a study, a hallway, a bathroom or a kitchen, and it sits comfortably with other botanical work, with natural history prints and with plain modern interiors where a single green form on cream paper is enough.

Light uneven toning, browner towards the edges. Handling soiling along the right and top edges. A few small foxing spots in the margin. Slight wear at the bottom right corner.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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