Madder & OchreBy Bartele Gallery
Madder & Ochre / Stone walls
Decorative 19th Century Hand-Colored Fern Print, Asplenium palmatum, 1806-1809, in the roomIn the room
Natural History Print · 1806-1809

Decorative 19th Century Hand-Colored Fern Print, Asplenium palmatum, 1806-1809

€235BG-14438-97

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #E2DDC2RGB 226, 221, 19473%
Olive · #88874FRGB 136, 135, 798%
Olive · #737246RGB 115, 114, 708%
Moss · #606043RGB 96, 96, 676%
Taupe · #928766RGB 146, 135, 1023%
Sage · #B0A475RGB 176, 164, 1172%
Sheet
20 cm × 24 cm (width × height)
Framed as shown
38 cm × 42 cm
Shown on
Stone wall
Size
Small, up to 50 cm (20 in) framed
Date
1806-1809
Technique
Copper Engraving
Color
Original hand color
Condition
Good
Stock no.
BG-14438-97

An original antique hand-colored engraving of Asplenium palmatum, plate 66 from the fern volume of Christian Schkuhr's cryptogamic flora, issued at Wittenberg between 1806 and 1809. The spleenworts are the small rock and wall ferns, and Schkuhr figures them more closely than any earlier German author. The sheet is lettered Asplenium palmatum beneath the figure, in the engraved script Schkuhr used throughout the work, and the plate number is engraved at the upper right. Beside the habit drawing Schkuhr adds the small lettered analyses he is known for, the spore cases, the scales and the sections that make the plate useful to a botanist as well as pleasant to look at.

The plate comes from Christian Schkuhr's account of the twenty-fourth Linnaean class, the cryptogams, the plants that reproduce by spores rather than by flowers. Schkuhr, who was born at Pegau in 1741 and died at Wittenberg in 1811, worked first as a gardener, studied at the University of Wittenberg, and taught himself drawing and engraving so completely that he drew, engraved and published his own plates. The fern volume appeared in nine instalments between 1806 and 1809 and carries 221 plates, numbered to 173 with lettered supplements added as new material reached him.

The sheet is a copper engraving finished in watercolor by hand, and the coloring is original to the period of publication. The wash sits over the engraved outline and varies from figure to figure in the way hand work does, with the greens laid in several strengths to separate the upper and lower surfaces of the frond. The paper carries the plate mark of the copper plate. Fern plates hang well because the subject is shape rather than incident, and a sheet like this reads clearly from across a room. It suits a study, a hallway, a bathroom or a kitchen, and it sits comfortably with other botanical work, with natural history prints and with plain modern interiors where a single green form on cream paper is enough.

Light uneven toning, browner towards the edges. Handling soiling along the bottom, right and top edges. A few small foxing spots in the margin. All four corners complete.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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