Madder & OchreBy Bartele Gallery
Madder & Ochre / Stone walls
Decorative 19th Century Hand-Colored Fern Print, Pteris rotundifolia, 1806-1809, in the roomIn the room
Natural History Print · 1806-1809

Decorative 19th Century Hand-Colored Fern Print, Pteris rotundifolia, 1806-1809

€173BG-14438-135

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #DFCFAFRGB 223, 207, 17581%
Taupe · #918163RGB 145, 129, 995%
Stone gray · #A99A79RGB 169, 154, 1215%
Sepia · #796851RGB 121, 104, 814%
Olive · #727044RGB 114, 112, 684%
Olive · #8D8A55RGB 141, 138, 852%
Sheet
20 cm × 24 cm (width × height)
Framed as shown
38 cm × 42 cm
Shown on
Stone wall
Size
Small, up to 50 cm (20 in) framed
Date
1806-1809
Technique
Copper Engraving
Color
Original hand color
Condition
Good
Stock no.
BG-14438-135

An original antique botanical engraving of Pteris rotundifolia, hand-colored on bluish paper, plate 99 from Christian Schkuhr's study of the ferns and their allies, Wittenberg, 1806 to 1809. Pteris covers the brakes, the large coarse ferns that include bracken, the most widespread fern in the world. The sheet carries 2 species, lettered Pteris rotundifolia and Pteris trichomanoides beneath the figures, with the plate number engraved at the upper right. Beside the habit drawing Schkuhr adds the small lettered analyses he is known for, the spore cases, the scales and the sections that make the plate useful to a botanist as well as pleasant to look at.

This is one of the 221 copper plates of Christian Schkuhr's volume on the cryptogamic plants, the ferns, club mosses, horsetails and water ferns that stand as the twenty-fourth class of the Linnaean system. Schkuhr drew the plants, cut the plates and published the work himself at Wittenberg, issuing it in nine parts between 1806 and 1809. The bibliography records it at Pritzel 8205, and the first impressions were printed on bluish paper, as this sheet is.

This is an engraving on copper with original hand coloring, printed on the bluish paper that the first impressions of the work were issued on. The engraved line carries the structure and the watercolor carries the color, applied by hand so that no two copies of the plate are quite alike. Hung singly the plate makes a calm, graphic statement; grouped with others from the same volume it makes a wall. The uniform sheet size and the shared palette mean these plates frame and group easily, which is how most buyers use them, in a study, a bedroom, a garden room or a professional office.

Light uneven toning, browner towards the edges. Handling soiling along the bottom, right and top edges. Scattered light foxing in the margin. All four corners complete.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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