Decorative 19th Century Hand-Colored Fern Engraving, Asplenium laetum, 1806-1809

This original antique hand-colored copper engraving of Asplenium laetum is plate 70 from Christian Schkuhr's survey of the ferns and fern allies, printed at Wittenberg between 1806 and 1809. The spleenworts are the small rock and wall ferns, and Schkuhr figures them more closely than any earlier German author. The sheet is lettered Asplenium laetum beneath the figure, in the engraved script Schkuhr used throughout the work, and the plate number is engraved at the upper right. Beside the habit drawing Schkuhr adds the small lettered analyses he is known for, the spore cases, the scales and the sections that make the plate useful to a botanist as well as pleasant to look at.

The plate comes from Christian Schkuhr's account of the twenty-fourth Linnaean class, the cryptogams, the plants that reproduce by spores rather than by flowers. Schkuhr, who was born at Pegau in 1741 and died at Wittenberg in 1811, worked first as a gardener, studied at the University of Wittenberg, and taught himself drawing and engraving so completely that he drew, engraved and published his own plates. The fern volume appeared in nine instalments between 1806 and 1809 and carries 221 plates, numbered to 173 with lettered supplements added as new material reached him.

Printed from a copper plate and colored by hand when it was published, the sheet shows the qualities that separate original hand coloring from printed color: the wash crosses the engraved line in places, the strength of the green changes across the frond, and the fine work on the spore cases is picked out in a browner tone over the engraving. The plate mark is visible in the paper. Fern plates hang well because the subject is shape rather than incident, and a sheet like this reads clearly from across a room. It suits a study, a hallway, a bathroom or a kitchen, and it sits comfortably with other botanical work, with natural history prints and with plain modern interiors where a single green form on cream paper is enough.

Light uneven toning, browner towards the edges. Handling soiling along the bottom, right and top edges. Scattered light foxing in the margin. All four corners complete.

This is an original antique print, not a modern reproduction. This item is sold unframed.