Antique Hand-Colored Fern Engraving by Schkuhr, Aspidium gongylodus, 1806-1809

An original antique hand-colored engraving of Aspidium gongylodus, plate 33.c from the fern volume of Christian Schkuhr's cryptogamic flora, issued at Wittenberg between 1806 and 1809. Aspidium is Schkuhr's name for the shield ferns, the group that later botanists split into Dryopteris, Polystichum and their relatives. The sheet is lettered Aspidium gongylodus beneath the figure, in the engraved script Schkuhr used throughout the work, and the plate number is engraved at the upper right. Beside the habit drawing Schkuhr adds the small lettered analyses he is known for, the spore cases, the scales and the sections that make the plate useful to a botanist as well as pleasant to look at.

The plate comes from Christian Schkuhr's account of the twenty-fourth Linnaean class, the cryptogams, the plants that reproduce by spores rather than by flowers. Schkuhr, who was born at Pegau in 1741 and died at Wittenberg in 1811, worked first as a gardener, studied at the University of Wittenberg, and taught himself drawing and engraving so completely that he drew, engraved and published his own plates. The fern volume appeared in nine instalments between 1806 and 1809 and carries 221 plates, numbered to 173 with lettered supplements added as new material reached him.

This is an engraving on copper with original hand coloring, printed on the bluish paper that the first impressions of the work were issued on. The engraved line carries the structure and the watercolor carries the color, applied by hand so that no two copies of the plate are quite alike. Fern plates hang well because the subject is shape rather than incident, and a sheet like this reads clearly from across a room. It suits a study, a hallway, a bathroom or a kitchen, and it sits comfortably with other botanical work, with natural history prints and with plain modern interiors where a single green form on cream paper is enough.

Light uneven toning, browner towards the edges. Handling soiling along the right and top edges. A few small foxing spots in the margin. All four corners complete. Minor edge wear, shallow nicks along the left.

This is an original antique print, not a modern reproduction. This item is sold unframed.