Madder & OchreBy Bartele Gallery
Madder & Ochre / Ochre walls
Deadly Nightshade, Henbane and Thorn Apple, Antique Poison Plate, circa 1873, in the roomIn the room
Natural History Print · circa 1873

Deadly Nightshade, Henbane and Thorn Apple, Antique Poison Plate, circa 1873

€185BG-14434-11

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #E3DCC1RGB 227, 220, 19361%
Olive · #8C905ERGB 140, 144, 9411%
Moss · #717053RGB 113, 112, 839%
Sage · #A7AA5BRGB 167, 170, 917%
Taupe · #9A8472RGB 154, 132, 1147%
Straw · #BBB983RGB 187, 185, 1315%
Sheet
16 cm × 24 cm (width × height)
Framed as shown
34 cm × 42 cm
Shown on
Ochre wall
Size
Small, up to 50 cm (20 in) framed
Date
circa 1873
Technique
Chromolithograph
Color
Printed color
Condition
Good
Stock no.
BG-14434-11

An original antique color plate from Anne Pratt's The Flowering Plants, Grasses, Sedges, and Ferns of Great Britain, this sheet shows five poisonous plants of the nightshade family, among them deadly nightshade and the thorn apple. A long white trumpet of Datura stramonium opens at the center of the sheet beside its spiny green seed pod. Around it are the cream flowers of henbane netted with purple veins, the violet and yellow stars and scarlet berries of bittersweet, the white flowers and black berries of common nightshade, and the dark crimson bells of Atropa belladonna at the left.

Issued in London by Frederick Warne and Co. for the Society for Promoting Christian Knowledge, The Flowering Plants, Grasses, Sedges, and Ferns of Great Britain was Anne Pratt's largest work and the one that made her name. She drew the plants as well as describing them, and the six volumes were printed in color by William Dickes, whose press specialized in natural history plates. This sheet is from Volume IV.

Anne Pratt, born at Strood in Kent in 1806 and self taught as a botanist, was among the best known botanical illustrators in Victorian England. Her books were accurate enough to be used and plain enough to be read, and this flora stayed a standard household reference for decades. Her drawings outlived her by a long way: the fern plates from this very work were still being reused, reduced and unattributed, in pocket guides well into the twentieth century.

Even age toning. Handling soiling along all four edges. Slight wear at the bottom left, bottom right and top left corners.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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