Madder & OchreBy Bartele Gallery
Madder & Ochre / Sage walls
Crested Shag Drying Its Wings on a Rock after Lilian Medland, c. 1909, in the roomIn the room
Natural History Print · circa 1909

Crested Shag Drying Its Wings on a Rock after Lilian Medland, c. 1909

€290BG-14331-3-22

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #E2DCCCRGB 226, 220, 20469%
Charcoal · #4F524ARGB 79, 82, 7417%
Taupe · #6E7067RGB 110, 112, 10311%
Stone gray · #97988CRGB 151, 152, 1404%
Sheet
31 cm × 25 cm (width × height)
Framed as shown
50 cm × 44 cm
Shown on
Sage wall
Size
Medium, 50 to 80 cm (20 to 31 in) framed
Date
circa 1909
Technique
Photogravure
Color
Uncolored
Condition
Good
Stock no.
BG-14331-3-22

This is an original antique bird print, a photogravure printed in black and gray tones without added color. It shows a Shag in breeding plumage standing on a low rock at the water's edge with both wings held open to dry, the familiar pose of the cormorant family. The head is turned to the viewer's left and tilted up, with the upcurled crest on the forehead, the pale eye and the slender hooked bill clearly drawn. Every wing feather is carefully modeled, the dark scaled mantle shows its pale edgings, the broad webbed feet grip the rock and the stiff tail is spread below.

The plate is lettered "PLATE CXLVI" at lower right and "1/3 scale" at lower center, the scale at which the bird is drawn. The artist's signature, "L. M. Medland", is drawn into the image. No species name is printed on the plate; the identification given here is made from the drawing itself.

Charles Stonham's The Birds of the British Islands was issued in London by E. Grant Richards in five volumes from 1906 to 1911, and this plate is from the third volume. Every plate in the work was made after drawings by Lilian M. Medland and printed by photogravure, so the tones of her original brush and wash drawing survive in a single ink. Medland later married the ornithologist Tom Iredale and moved to Australia.

Printed in a single tone on a generous sheet, the plate looks well in a plain frame with a pale mat, alone or as part of a group of birds.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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