Madder & OchreBy Bartele Gallery
Madder & Ochre / Stone walls
Tomb of the Howards, Arundel, Antique Steel Engraving after S. Read, circa 1876, in the roomIn the room
Engraving · circa 1876

Tomb of the Howards, Arundel, Antique Steel Engraving after S. Read, circa 1876

€280BG-13194-57

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #C9C4B3RGB 201, 196, 17942%
Taupe · #77766ARGB 119, 118, 10637%
Stone gray · #A09C8FRGB 160, 156, 14313%
Charcoal · #505149RGB 80, 81, 738%
Sheet
24 cm × 31 cm (width × height)
Framed as shown
43 cm × 50 cm
Shown on
Stone wall
Size
Medium, 50 to 80 cm (20 to 31 in) framed
Date
circa 1876
Technique
Steel engraving
Color
Uncolored
Condition
Good
Stock no.
BG-13194-57

A richly carved Gothic tomb canopy fills most of this upright steel engraving. Its openwork cresting, pinnacles and rose-like tracery are supported on twisted columns, and the deep bays beneath hold carved panels and niches in shadow. To the left stands a smaller tomb chest enclosed by an iron frame with tall candle posts, and above it a diamond-shaped funeral hatchment hangs on the wall. Light falls from tall windows onto worn floor slabs, where a few books and a stool lie beside a simple rush-seated chair at the right, as if a visitor had just stepped away.

The plate is lettered "The Tomb of the Howards. Arundel Church." The Howard family, Dukes of Norfolk, have their seat at Arundel Castle in West Sussex, and their family monuments are housed in the Fitzalan Chapel at the east end of the parish church. The drawing is credited to S. Read and the engraving to T. Heawood, and the sheet carries the imprint of Cassell, Petter & Galpin of London.

This is a steel engraving printed in black on wove paper, without color. Heawood renders the intricate stone carving with remarkable precision, contrasting the bright, pale masonry of the walls with the dark recesses of the canopy, and the play of light across the floor gives the interior a quiet, almost hushed atmosphere.

It is a fine choice for anyone drawn to church architecture or English history, and it would sit handsomely in a library or hallway in a dark wood frame with a wide cream mat.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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