Madder & OchreBy Bartele Gallery
Madder & Ochre / Sage walls
Bastard Balm and Self Heal, Antique Victorian Wild Flower Print, circa 1873, in the roomIn the room
Natural History Print · circa 1873

Bastard Balm and Self Heal, Antique Victorian Wild Flower Print, circa 1873

€185BG-14434-30

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #DDD8BERGB 221, 216, 19056%
Moss · #5E6C58RGB 94, 108, 8813%
Sage · #8A947ARGB 138, 148, 12212%
Sage · #849562RGB 132, 149, 9810%
Straw · #C0BE84RGB 192, 190, 1325%
Taupe · #877677RGB 135, 118, 1194%
Sheet
16 cm × 24 cm (width × height)
Framed as shown
34 cm × 42 cm
Shown on
Sage wall
Size
Small, up to 50 cm (20 in) framed
Date
circa 1873
Technique
Chromolithograph
Color
Printed color
Condition
Good
Stock no.
BG-14434-30

This antique botanical plate is Plate 166 of Anne Pratt's The Flowering Plants, Grasses, Sedges, and Ferns of Great Britain. It shows the bastard balm with the common self heal and the two skull caps. The large cream flowers of Melittis melissophyllum fill the center of the sheet, each one blotched with crimson on the lower lip, and they are the most striking thing on the page. A dark purple red spike of self heal stands at the right, the clear blue hooded flowers of the common skull cap and the small pink lesser skull cap rise at the left, and the creeping roots are drawn along the bottom edge.

Anne Pratt brought out The Flowering Plants, Grasses, Sedges, and Ferns of Great Britain through Frederick Warne and Co. of Bedford Street, Covent Garden, in six volumes covering more than fifteen hundred species. The plates were printed in color by William Dickes of London, a licensee of the Baxter color process, and this sheet comes from Volume IV, which the title page records as carrying 249 species in color.

A plate from this flora carries its period in every line: the close observation, the crowded but orderly arrangement, the soft printed color laid over careful outline. It sits as comfortably in a modern interior as in a Victorian one, and it has the advantage over a single flower study of giving several related plants together, which makes it rewarding to look at more than once.

Even age toning. Marked handling soiling along the bottom, right and top edges. A few small foxing spots in the margin. Slight wear at the top left corner.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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