Madder & OchreBy Bartele Gallery
Madder & Ochre / Stone walls
Barnacle Goose Standing at the Water's Edge after Lilian Medland, c. 1909, in the roomIn the room
Natural History Print · circa 1909

Barnacle Goose Standing at the Water's Edge after Lilian Medland, c. 1909

€290BG-14331-3-40

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Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #E7E1D0RGB 231, 225, 20885%
Charcoal · #494B43RGB 73, 75, 677%
Moss · #6D6E63RGB 109, 110, 996%
Stone gray · #9B998DRGB 155, 153, 1412%
Sheet
31 cm × 25 cm (width × height)
Framed as shown
50 cm × 44 cm
Shown on
Stone wall
Size
Medium, 50 to 80 cm (20 to 31 in) framed
Date
circa 1909
Technique
Photogravure
Color
Uncolored
Condition
Good
Stock no.
BG-14331-3-40

This is an original antique bird print, a photogravure printed in black and gray, uncolored. It shows a Barnacle Goose standing in a film of shallow water, facing right. The face and forehead are white, crossed by a dark line from the eye to the base of the short bill, and set sharply against the black crown, neck and breast. The back and wings are barred in dark bands each edged with a pale fringe, the flanks are pale with soft gray barring, and the dark legs and webbed feet are reflected in the water.

The sheet is lettered "PLATE CLXIII." in italic capitals at lower right. Below the image is the note "2/5 scale", meaning the bird is drawn at two fifths of its natural size. The artist's signature "L. M. Medland" is written in the image at lower left.

The plate comes from The Birds of the British Islands by Charles Stonham, published in London by E. Grant Richards in five volumes between 1906 and 1911. This sheet belongs to the third volume, which takes the water birds in systematic order, from the cormorants and herons through the geese and swans to the ducks. The illustrations are after drawings by Lilian M. Medland and are reproduced in photogravure, a photomechanical intaglio process that carries the soft tones of a wash drawing and leaves a plate mark around the image. As throughout the work, no name is printed beneath the bird; each plate carries only its number, a note of the scale of reproduction and the artist's signature. Medland later married the ornithologist Tom Iredale and moved to Australia.

Printed in soft black and gray with wide margins, the plate suits a plain frame with a generous mat, alone or beside other plates from the same volume.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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