Madder & OchreBy Bartele Gallery
Madder & Ochre / Stone walls
Vultures and Goshawk, Three Antique Birds of Prey Plates, 1806, in the room 1In the room 1
Natural History Print · 1806

Vultures and Goshawk, Three Antique Birds of Prey Plates, 1806

€460BG-13429-92

Interior designers: BarTrade members buy at their trade price. How it works

A set of 3 sheetsThis listing is 3 original sheets from the same publication, sold together and never split. The price is for the whole set. More sets
Shown framed for scaleYou receive the original sheets, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #D5CAB1RGB 213, 202, 17750%
Taupe · #78735FRGB 120, 115, 9533%
Charcoal · #525041RGB 82, 80, 659%
Stone gray · #A29A82RGB 162, 154, 1308%
Sheet
21 cm × 29 cm (width × height)
Framed as shown
40 cm × 47 cm
Shown on
Stone wall
Size
Small, up to 50 cm (20 in) framed
Date
1806
Technique
Copper Engraving
Color
Uncolored
Condition
Good
Stock no.
BG-13429-92

This set of three original antique copper engravings, Plates 94, 95 and 96 from Sonnerat's Voyage aux Indes Orientales et a la Chine, is sold as one set. They are three original sheets sold together as one lot, and the set is never split. Plate 94 shows the royal vulture of Pondicherry standing on a rock, its bare head and heavy hooked bill turned in profile. Plate 95 shows the great vulture of the Indies perched on a stump, the ruffed neck and broad folded wings shown in profile. Plate 96 shows a gray goshawk of Madagascar with a finely barred belly, perched on a branch in profile. Each sheet carries its engraved plate number at the upper right, the artist and engraver credits at the foot of the image and its caption lettered beneath.

The sheets come from the Collection de planches pour servir au Voyage aux Indes Orientales et a la Chine, the plate volume issued in Paris by Dentu, Imprimeur-Libraire of the quai des Augustins, in 1806. The plates were engraved on copper after drawings Pierre Sonnerat made in the field between 1774 and 1781, while he served the French crown as a naval commissary at Yanam and Pondicherry and traveled on from India to China, Malacca, Madagascar and the Cape of Good Hope. The images are copper engravings, printed in black on laid paper with a clear plate mark, the lettering cut below each image in the same plate. No color was applied, which is how the volume was issued.

The bird plates run for nearly thirty sheets through the middle of the volume and cover the Coromandel and Malabar coasts, Gingi and Pondicherry, Malacca, China, Madagascar and the Cape. Each bird is drawn at the full height of the plate against a plain ground, usually on a branch or a rock, with the plumage worked up line by line in the engraving. All three sheets are the same size and the same orientation and come from one volume of one book, which is why they are offered as a set and not one at a time. Pierre Sonnerat, born in Lyon in about 1748 and dead in Paris in 1814, was the nephew and private secretary of Pierre Poivre, the colonial administrator who broke the Dutch monopoly on the spice trade. Sonnerat traveled in the Philippines and the Moluccas, in Mauritius and Reunion, and then through India, China, Malacca, Madagascar and the Cape. He drew what he saw, which is why the plates have a directness that engravings worked up in Paris from other men's notes rarely have.

Noticeable uneven toning on some sheets. Marked handling soiling along the edges of all three sheets. Scattered light foxing in the margins of all three sheets. Slight wear at the corners of all three sheets.

These are original antique prints, not modern reproductions. This item is sold unframed.

In the same colors.

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