Madder & OchreBy Bartele Gallery
Madder & Ochre / Stone walls
Spoonbill Wading Among Reeds and Reedmace after Lilian Medland, c. 1909, in the roomIn the room
Natural History Print · circa 1909

Spoonbill Wading Among Reeds and Reedmace after Lilian Medland, c. 1909

€330BG-14331-3-34

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #DFD9C9RGB 223, 217, 20184%
Stone gray · #A19F93RGB 161, 159, 1479%
Taupe · #818176RGB 129, 129, 1186%
Charcoal · #595A51RGB 89, 90, 812%
Sheet
25 cm × 31 cm (width × height)
Framed as shown
44 cm × 50 cm
Shown on
Stone wall
Size
Medium, 50 to 80 cm (20 to 31 in) framed
Date
circa 1909
Technique
Photogravure
Color
Uncolored
Condition
Good
Stock no.
BG-14331-3-34

This is an original antique bird print, a photogravure printed in black and gray tones without added color. It shows an adult Spoonbill in breeding plumage wading in shallow water before reeds and reedmace, facing the viewer's right. The long black bill with its broad spoon shaped tip hangs down beside the neck, and the bushy crest at the back of the head is raised. The white plumage is modeled in pale gray tones against the darker reeds behind.

The plate is lettered "PLATE CLVIII" at lower right and "2/7 scale" at lower center, the scale at which the bird is drawn. The artist's signature, "L. M. Medland", is drawn into the image. No species name is printed on the plate; the identification given here is made from the drawing itself.

Charles Stonham's The Birds of the British Islands was issued in London by E. Grant Richards in five volumes from 1906 to 1911, and this plate is from the third volume. Every plate in the work was made after drawings by Lilian M. Medland and printed by photogravure, so the tones of her original brush and wash drawing survive in a single ink. Medland later married the ornithologist Tom Iredale and moved to Australia.

Printed in a single tone on a generous sheet, the plate looks well in a plain frame with a pale mat, alone or as part of a group of birds.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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