Madder & OchreBy Bartele Gallery
Madder & Ochre / Stone walls
Slipper Seller at Somerset House, Cries of London, 1804, in the roomIn the room
Engraving · 1804

Slipper Seller at Somerset House, Cries of London, 1804

€345BG-12935-51

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Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #D8C9A6RGB 216, 201, 16664%
Charcoal · #5F5847RGB 95, 88, 7112%
Taupe · #817860RGB 129, 120, 9612%
Stone gray · #A59779RGB 165, 151, 12110%
Madder red · #885150RGB 136, 81, 801%
Sheet
20 cm × 26 cm (width × height)
Framed as shown
38 cm × 44 cm
Shown on
Stone wall
Size
Small, up to 50 cm (20 in) framed
Date
1804
Technique
Copper Engraving
Color
Hand colored
Condition
Good
Stock no.
BG-12935-51

This is an original hand colored copper engraving, one of the Cries of London plates, lettered "SLIPPERS." beneath the image. It shows a slipper seller at Somerset House, an old man with a white beard, a yellow turban and a long brown robe with a red sash. He carries a stack of slippers in red, yellow and blue over his arm as he walks out from under the arched passage of the building. Lamps hang in the arch, and railings and the stone front of Somerset House are seen beyond.

The London setting is engraved in script above the image as "Somerset House" and the cry in open capitals below it as "SLIPPERS.". No artist or engraver is named on this plate. Along the foot runs the imprint "Published Augst 25-1804, by Richard Phillips, 71, St. Paul's Church Yard.", dating the plate to August 25, 1804.

The plate comes from Modern London; Being the History and Present State of the British Metropolis, printed for Richard Phillips of St. Paul's Church Yard by C. Mercier and Co. in 1804. Alongside its topographical views of the capital the book included a series of hand colored plates of London street traders, each figure shown in working dress against a named street, square or building, so that the set records both the trades and the appearance of the city at the time. Several plates in the series carry the credit of the painter William Marshall Craig; this one is unsigned.

The hand coloring and the named London setting make it a good choice for a hallway, kitchen or study, alone or hung with other plates from the series.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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