Madder & OchreBy Bartele Gallery
Madder & Ochre / Stone walls
Shoveler Duck Feeding at the Surface after Lilian Medland, c. 1909, in the roomIn the room
Natural History Print · circa 1909

Shoveler Duck Feeding at the Surface after Lilian Medland, c. 1909

€240BG-14331-3-49

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #E3DCCARGB 227, 220, 20285%
Moss · #676658RGB 103, 102, 8810%
Stone gray · #A29F8DRGB 162, 159, 1416%
Sheet
31 cm × 25 cm (width × height)
Framed as shown
50 cm × 44 cm
Shown on
Stone wall
Size
Medium, 50 to 80 cm (20 to 31 in) framed
Date
circa 1909
Technique
Photogravure
Color
Uncolored
Condition
Good
Stock no.
BG-14331-3-49

This is an original antique bird print, a photogravure printed in black and gray, uncolored. It shows a female Shoveler swimming to the right with the head stretched forward and the long, broad bill laid flat along the surface of the water, in the feeding attitude of the species. The plumage is brown throughout, the head finely streaked, the back and flanks marked with dark feather centers and pale edges, and the wing tips cross above the tail at the left. The water is drawn in light, broken ripples.

The sheet is lettered "PLATE CLXXIII." in italic capitals at lower right. Below the image is the note "1/2 scale", meaning the bird is drawn at half its natural size. The artist's signature "L. M. Medland" is written in the image at lower left.

The plate comes from The Birds of the British Islands by Charles Stonham, published in London by E. Grant Richards in five volumes between 1906 and 1911. This sheet belongs to the third volume, which takes the water birds in systematic order, from the cormorants and herons through the geese and swans to the ducks. The illustrations are after drawings by Lilian M. Medland and are reproduced in photogravure, a photomechanical intaglio process that carries the soft tones of a wash drawing and leaves a plate mark around the image. As throughout the work, no name is printed beneath the bird; each plate carries only its number, a note of the scale of reproduction and the artist's signature. Medland later married the ornithologist Tom Iredale and moved to Australia.

Printed in soft black and gray with wide margins, the plate suits a plain frame with a generous mat, alone or beside other plates from the same volume.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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