Madder & OchreBy Bartele Gallery
Madder & Ochre / Cream walls
Set of 3 Hand-Colored Fern Engravings, Adder's Tongue and Moonwort, 1806-1809, in the room 1In the room 1
Natural History Print · 1806-1809

Set of 3 Hand-Colored Fern Engravings, Adder's Tongue and Moonwort, 1806-1809

€330BG-14438-199

Interior designers: BarTrade members buy at their trade price. How it works

A set of 3 sheetsThis listing is 3 original sheets from the same publication, sold together and never split. The price is for the whole set. More sets
Shown framed for scaleYou receive the original sheets, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #DCD6C0RGB 220, 214, 19292%
Sage · #9B9878RGB 155, 152, 1203%
Moss · #727D54RGB 114, 125, 844%
Sheet
20 cm × 24 cm (width × height)
Framed as shown
38 cm × 42 cm
Shown on
Cream wall
Size
Small, up to 50 cm (20 in) framed
Date
1806-1809
Technique
Copper Engraving
Color
Original hand color
Condition
Good
Stock no.
BG-14438-199

This is an original set of 3 antique hand-colored copper engravings of adder's tongues, sold together, from Christian Schkuhr's survey of the ferns and fern allies printed at Wittenberg between 1806 and 1809. The adder's tongue and the first two moonworts, Tab. 153 to 155, the small spore bearing plants that open the final section. The 3 sheets are Ophioglossum vulgatum, Botrychium Lunaria and Botrychium rutaceum. They are the same size, printed from the same press and colored by the same hand, so they frame and hang as one group.

This is one of the 221 copper plates of Christian Schkuhr's volume on the cryptogamic plants, the ferns, club mosses, horsetails and water ferns that stand as the twenty-fourth class of the Linnaean system. Schkuhr drew the plants, cut the plates and published the work himself at Wittenberg, issuing it in nine parts between 1806 and 1809. The bibliography records it at Pritzel 8205, and the first impressions were printed on bluish paper, as this sheet is.

The sheet is a copper engraving finished in watercolor by hand, and the coloring is original to the period of publication. The wash sits over the engraved outline and varies from figure to figure in the way hand work does, with the greens laid in several strengths to separate the upper and lower surfaces of the frond. The paper carries the plate mark of the copper plate. Hung singly the plate makes a calm, graphic statement; grouped with others from the same volume it makes a wall. The uniform sheet size and the shared palette mean these plates frame and group easily, which is how most buyers use them, in a study, a bedroom, a garden room or a professional office.

Light uneven toning, browner towards the edges. Marked handling soiling along the edges of all three sheets. Light foxing in the margins of all three sheets. Slight wear at the corners of two of the three sheets.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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