Madder & OchreBy Bartele Gallery
Madder & Ochre / Sage walls
Rock Dove Crouching on a Rocky Ledge, Hand Colored Pigeon Print, Morris, 1896, in the roomIn the room
Natural History Print · 1896

Rock Dove Crouching on a Rocky Ledge, Hand Colored Pigeon Print, Morris, 1896

€95BG-11586-59

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #E2D6B7RGB 226, 214, 18358%
Taupe · #73766DRGB 115, 118, 10914%
Stone gray · #8C8F87RGB 140, 143, 13513%
Charcoal · #57594FRGB 87, 89, 799%
Straw · #D2CB9CRGB 210, 203, 1564%
Sage · #A59E7ERGB 165, 158, 1262%
Sheet
27 cm × 18 cm (width × height)
Framed as shown
46 cm × 36 cm
Shown on
Sage wall
Size
Small, up to 50 cm (20 in) framed
Date
1896
Technique
Wood Engraving
Color
Hand colored
Condition
Good
Stock no.
BG-11586-59

This is an original wood engraved bird plate, colored by hand, captioned "ROCK DOVE." A single pigeon crouches low on a buff rock ledge, facing right, with both wings raised and spread back from the body and the tail fanned behind. The plumage is blue gray, with two bold black bars across the wing and a broad dark band at the end of the tail. A cream white rump shows between the wings. The neck carries an iridescent patch of green and rose pink, and the eye is orange. Short green turf runs along the ground to the left of the rock.

The engraved caption below the picture reads "ROCK DOVE." with a full stop. There is no plate number above the picture and no engraver's credit on the sheet. The rock dove is Columba livia, and the white rump and two black wing bars shown here are marks of the species.

A History of British Birds was written by the Reverend Francis Orpen Morris (1810 to 1893), rector of Nunburnholme in Yorkshire. The wood blocks for the plates of the work were engraved by Benjamin Fawcett (1808 to 1893) of Driffield in Yorkshire. This fourth edition was issued in six volumes by John C. Nimmo, London, and this plate comes from the third volume, whose title page is dated 1896 and states that the plates are colored by hand. Each plate combines an engraved black key block with a printed gray tint, finished by hand in watercolor.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

Ask about this print

We reply by email, usually within one working day.