Madder & OchreBy Bartele Gallery
Madder & Ochre / Cream walls
Original Antique Hand-Colored Fern Engraving, Pteris adscensionis, 1806-1809, in the roomIn the room
Natural History Print · 1806-1809

Original Antique Hand-Colored Fern Engraving, Pteris adscensionis, 1806-1809

€190BG-14438-129

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #E0D0B1RGB 224, 208, 17773%
Olive · #787242RGB 120, 114, 6621%
Taupe · #8C7F5DRGB 140, 127, 933%
Sage · #AA9D77RGB 170, 157, 1193%
Sheet
20 cm × 24 cm (width × height)
Framed as shown
38 cm × 42 cm
Shown on
Cream wall
Size
Small, up to 50 cm (20 in) framed
Date
1806-1809
Technique
Copper Engraving
Color
Original hand color
Condition
Good
Stock no.
BG-14438-129

This hand-colored antique copper engraving shows Pteris adscensionis, and is plate 94 from the fern volume of Christian Schkuhr's cryptogamic flora, Wittenberg, 1806 to 1809. Pteris covers the brakes, the large coarse ferns that include bracken, the most widespread fern in the world. The sheet is lettered Pteris adscensionis beneath the figure, in the engraved script Schkuhr used throughout the work, and the plate number is engraved at the upper right. Beside the habit drawing Schkuhr adds the small lettered analyses he is known for, the spore cases, the scales and the sections that make the plate useful to a botanist as well as pleasant to look at.

The plate comes from Christian Schkuhr's account of the twenty-fourth Linnaean class, the cryptogams, the plants that reproduce by spores rather than by flowers. Schkuhr, who was born at Pegau in 1741 and died at Wittenberg in 1811, worked first as a gardener, studied at the University of Wittenberg, and taught himself drawing and engraving so completely that he drew, engraved and published his own plates. The fern volume appeared in nine instalments between 1806 and 1809 and carries 221 plates, numbered to 173 with lettered supplements added as new material reached him.

This is an engraving on copper with original hand coloring, printed on the bluish paper that the first impressions of the work were issued on. The engraved line carries the structure and the watercolor carries the color, applied by hand so that no two copies of the plate are quite alike. Fern plates hang well because the subject is shape rather than incident, and a sheet like this reads clearly from across a room. It suits a study, a hallway, a bathroom or a kitchen, and it sits comfortably with other botanical work, with natural history prints and with plain modern interiors where a single green form on cream paper is enough.

Light uneven toning, browner towards the edges. Handling soiling along the bottom, right and top edges. A few small foxing spots in the margin. Slight wear at the bottom right corner.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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