Madder & OchreBy Bartele Gallery
Madder & Ochre / Ochre walls
Original Antique Hand-Colored Fern Engraving, Frankincense Fern, 1806-1809, in the roomIn the room
Natural History Print · 1806-1809

Original Antique Hand-Colored Fern Engraving, Frankincense Fern, 1806-1809

€173BG-14438-189

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #DDD7BFRGB 221, 215, 19186%
Moss · #757256RGB 117, 114, 866%
Sage · #9B9E73RGB 155, 158, 1153%
Stone gray · #979279RGB 151, 146, 1213%
Sepia · #705E48RGB 112, 94, 722%
Sheet
20 cm × 24 cm (width × height)
Framed as shown
38 cm × 42 cm
Shown on
Ochre wall
Size
Small, up to 50 cm (20 in) framed
Date
1806-1809
Technique
Copper Engraving
Color
Original hand color
Condition
Good
Stock no.
BG-14438-189

This hand-colored antique copper engraving shows the Frankincense Fern, and is plate 143 from the fern volume of Christian Schkuhr's cryptogamic flora, Wittenberg, 1806 to 1809. Mohria is a South African fern whose crushed fronds smell of frankincense. The sheet is lettered Mohria thurifraga beneath the figure, in the engraved script Schkuhr used throughout the work, and the plate number is engraved at the upper right. Beside the habit drawing Schkuhr adds the small lettered analyses he is known for, the spore cases, the scales and the sections that make the plate useful to a botanist as well as pleasant to look at.

The plate comes from Christian Schkuhr's account of the twenty-fourth Linnaean class, the cryptogams, the plants that reproduce by spores rather than by flowers. Schkuhr, who was born at Pegau in 1741 and died at Wittenberg in 1811, worked first as a gardener, studied at the University of Wittenberg, and taught himself drawing and engraving so completely that he drew, engraved and published his own plates. The fern volume appeared in nine instalments between 1806 and 1809 and carries 221 plates, numbered to 173 with lettered supplements added as new material reached him.

This is an engraving on copper with original hand coloring, printed on the bluish paper that the first impressions of the work were issued on. The engraved line carries the structure and the watercolor carries the color, applied by hand so that no two copies of the plate are quite alike. Fern plates hang well because the subject is shape rather than incident, and a sheet like this reads clearly from across a room. It suits a study, a hallway, a bathroom or a kitchen, and it sits comfortably with other botanical work, with natural history prints and with plain modern interiors where a single green form on cream paper is enough.

Light uneven toning, browner towards the edges. Marked handling soiling along the bottom, right and top edges. Slight wear at the bottom right corner.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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