Madder & OchreBy Bartele Gallery
Madder & Ochre / Stone walls
Newcastle from the South West, Engraving after W. Harvey, Charles Knight, 1849, in the roomIn the room
Engraving · 1849

Newcastle from the South West, Engraving after W. Harvey, Charles Knight, 1849

€220BG-14391-33

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Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #C2BBA4RGB 194, 187, 16442%
Stone gray · #9F9C88RGB 159, 156, 13622%
Taupe · #86826ERGB 134, 130, 11014%
Charcoal · #505146RGB 80, 81, 7011%
Moss · #6C6958RGB 108, 105, 8810%
Sheet
27 cm × 18 cm (width × height)
Framed as shown
46 cm × 37 cm
Shown on
Stone wall
Size
Small, up to 50 cm (20 in) framed
Date
1849
Technique
Steel engraving
Color
Hand colored
Condition
Good
Stock no.
BG-14391-33

This hand colored steel engraving shows Newcastle upon Tyne from the south west, with the great High Level Bridge striding across the river. The plate is lettered "Newcastle, from the South-West." beneath the image, with the credits "W. Harvey, del." at left, "from a sketch by J. Jackson" at center and "T. A. Prior, sc." at right, and the imprint "London: Charles Knight, 1849."

The view looks from the high ground of Gateshead across the Tyne to the crowded town, with the crown spire of St. Nicholas and the castle keep on the skyline. The new bridge carries a train across its upper deck, while the old low bridge can be seen beneath its piers. Keels and sailing craft work the river, smoke drifts up from the houses and works below, and in the foreground a group of local people sit and stand on the hillside beside a line of washing, with a cow grazing at the right.

The High Level Bridge, designed by Robert Stephenson to carry the railway between London and Edinburgh over the gorge of the Tyne, was opened in 1849, the year of this plate, so this is a view of the bridge in its very first months. William Harvey, a pupil of Thomas Bewick and himself a native of Newcastle, was one of the most admired illustrators of the period, and Thomas Abiel Prior was a highly skilled engraver of landscape on steel. Charles Knight was a pioneer of cheap, well illustrated publishing for a wide Victorian readership.

The plate has been colored by hand, which brings warmth to the sky, the water and the figures. It is an attractive record of Newcastle in the railway age and would suit a study, office or hallway, or a collection of Tyneside and Northumberland views.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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