Madder & OchreBy Bartele Gallery
Madder & Ochre / Ochre walls
Milk Seller in Cavendish Square, Cries of London, 1804, in the roomIn the room
Engraving · 1804

Milk Seller in Cavendish Square, Cries of London, 1804

€365BG-12935-43

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Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #D0C4A3RGB 208, 196, 16361%
Taupe · #7B755ERGB 123, 117, 9414%
Stone gray · #9F977ARGB 159, 151, 12212%
Charcoal · #5B5846RGB 91, 88, 7011%
Umber · #66453ERGB 102, 69, 622%
Sheet
20 cm × 26 cm (width × height)
Framed as shown
38 cm × 44 cm
Shown on
Ochre wall
Size
Small, up to 50 cm (20 in) framed
Date
1804
Technique
Copper Engraving
Color
Hand colored
Condition
Good
Stock no.
BG-12935-43

This is an original hand colored copper engraving, one of the Cries of London plates, lettered "MILK BELOW!" beneath the image. It shows a milkwoman in Cavendish Square carrying two large metal milk pails from a yoke across her shoulders. She wears a black hat over a white cap, a brown jacket and a red skirt and stands before the railings of the square. Behind the railings is an equestrian statue on a pedestal at the left, and a pedimented house front with columns rises in the background.

The London setting is engraved in script above the image as "Cavendish Square" and the cry in open capitals below it as "MILK BELOW!". At the lower left is the artist's credit "Craig.del." (del., for delineavit, "drew it"), naming William Marshall Craig as the designer. Along the foot runs the imprint "Published Augst 25. 1804. by Richard Phillips. 71. St Pauls Church Yard.", dating the plate to August 25, 1804.

The plate comes from Modern London; Being the History and Present State of the British Metropolis, printed for Richard Phillips of St. Paul's Church Yard by C. Mercier and Co. in 1804. Alongside its topographical views of the capital the book included a series of hand colored plates of London street traders, each figure shown in working dress against a named street, square or building, so that the set records both the trades and the appearance of the city at the time. The designs in the series are credited to the painter William Marshall Craig where the plates carry his name, as this one does.

The hand coloring and the named London setting make it a good choice for a hallway, kitchen or study, alone or hung with other plates from the series.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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