Madder & OchreBy Bartele Gallery
Madder & Ochre / Stone walls
Late Ming Famille Noire Cylindrical Vase, Prunus and Blue Bird, Plate 1911, in the roomIn the room
Other · 1911

Late Ming Famille Noire Cylindrical Vase, Prunus and Blue Bird, Plate 1911

€165BG-14405-1-7

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #F3EFE2RGB 243, 239, 22675%
Charcoal · #464436RGB 70, 68, 5414%
Sage · #A3AE71RGB 163, 174, 1134%
Taupe · #847E66RGB 132, 126, 1024%
Slate blue · #6D747FRGB 109, 116, 1271%
Sheet
24 cm × 31 cm (width × height)
Framed as shown
43 cm × 50 cm
Shown on
Stone wall
Size
Medium, 50 to 80 cm (20 to 31 in) framed
Date
1911
Color
Printed color
Condition
Good
Stock no.
BG-14405-1-7

Plate 7 of the 1911 book Chinese Porcelain and Hard Stones, an original color plate of Chinese porcelain, illustrates a cylindrical famille noire vase with a leaf shaped symbol under the base. A prunus with an aubergine trunk spreads over the body behind pierced rocks in blue and green, with a blue bird perched on top and two more in flight. The shoulder carries a trellis border and the neck scattered flowers and butterflies. Gorer and Blacker describe it as Late Ming period and record it in the Salting Collection; height 18 inches (46 cm), diameter 7 1/4 inches (19 cm).

Edgar Gorer and J. F. Blacker brought out Chinese Porcelain and Hard Stones in 1911 through Bernard Quaritch, the New Bond Street bookseller, in an edition of one thousand numbered copies. The two volumes carry two hundred and fifty four color plates, each a full page photographic reproduction of a single piece or group, with a tissue guard and a facing description in English and French. The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

The plates were made while large collections of Chinese porcelain were being formed in Britain and America, and the text names the collections that held many of the pieces illustrated, among them those of P. A. B. Widener, George Salting and Richard Bennett.

Even age toning. A few small foxing spots in the margin. All four corners complete. One larger brown mark.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

Ask about this print

We reply by email, usually within one working day.