Madder & OchreBy Bartele Gallery
Madder & Ochre / Stone walls
King David with his Harp, Bible of Metz, Antique Chromolithograph, 1849, in the roomIn the room
Lithograph · 1849

King David with his Harp, Bible of Metz, Antique Chromolithograph, 1849

€300BG-12228-2-16

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #E3D8C0RGB 227, 216, 19229%
Taupe · #8C8370RGB 140, 131, 11229%
Raw sienna · #B77C5BRGB 183, 124, 9112%
Stone gray · #989CA5RGB 152, 156, 16511%
Sepia · #715D4CRGB 113, 93, 7610%
Gilt · #A69259RGB 166, 146, 899%
Sheet
21 cm × 28 cm (width × height)
Framed as shown
40 cm × 47 cm
Shown on
Stone wall
Size
Small, up to 50 cm (20 in) framed
Date
1849
Technique
Chromolithograph
Color
Printed color
Condition
Good
Stock no.
BG-12228-2-16

David sits crowned on a cushioned throne, his harp against his shoulder, in a miniature taken from the ninth century Bible of Metz. The sheet is lettered with the source and adds, beneath, a row of ornamental fragments drawn from other manuscripts of the same period: a winged horse, a figure stretched on a couch, a band of blue acanthus and a panel of gold and purple border. The palette is Carolingian throughout, gray and gold with strong accents of vermilion.

This is one of the chromolithographic plates of Le Moyen Age et la Renaissance, second volume, Paris, 1849, edited by Paul Lacroix with Ferdinand Sere as artistic director. The work was among the first large French publications to rely on color lithography throughout, and its plates were drawn directly from manuscripts, textiles, armor and goldsmiths' work in the public collections of Paris, Brussels and the German cities.

David with his harp is the single most repeated author portrait of the Middle Ages, painted at the head of psalter after psalter, and buyers recognize it immediately. The figure is large and centered, which makes this an easy sheet to frame and an easy one to hang alone, in a music room as readily as in a library. The sheet also carries, along its lower edge, a row of ornamental fragments drawn from other manuscripts of the same decade, which makes it useful to anyone interested in Carolingian ornament as well as in the figure itself.

Even age toning. Marked handling soiling along the right edge. All four corners complete.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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