Madder & OchreBy Bartele Gallery
Madder & Ochre / Oxblood walls
Imoinda in the Tragedy of Oroonoko, Back View, Georgian Stage, Jefferys 1757, in the roomIn the room
Ethnographic Print · 1757

Imoinda in the Tragedy of Oroonoko, Back View, Georgian Stage, Jefferys 1757

€350BG-14276-236

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #E6D7B6RGB 230, 215, 18284%
Rose · #B08D79RGB 176, 141, 1217%
Sepia · #6B5F4FRGB 107, 95, 794%
Raw sienna · #967262RGB 150, 114, 983%
Taupe · #9A8F75RGB 154, 143, 1173%
Sheet
25 cm × 32 cm (width × height)
Framed as shown
45 cm × 52 cm
Shown on
Oxblood wall
Size
Medium, 50 to 80 cm (20 to 31 in) framed
Date
1757
Technique
Copper Engraving
Color
Hand colored
Condition
Good
Stock no.
BG-14276-236

This is an original antique copper engraving from 1757, colored by hand, lettered "Habit of Imoinda, in the Tragedy of Oroonoko." Imoinda is seen here from behind. A small white cap with a dark aigrette sits on her dark hair, a ruffled collar circles her neck, and a long white veil falls straight down her back. Her rose pink gown has elbow sleeves with white ruffles, and a white scarf held in one hand at the viewer's left loops down and is caught up in swags around the full skirt. A cast shadow falls to the viewer's left.

The English title is engraved in script below the image: "Habit of Imoinda, in the Tragedy of Oroonoko." Beneath it, in smaller italic letters, is the French caption "Imoinda dans la Tragédie d'Oroonoko.", meaning "Imoinda in the tragedy of Oroonoko". The plate number 236 is engraved at lower right. No engraver or artist is named on the plate.

The plate comes from the second volume of Thomas Jefferys' A Collection of the Dresses of Different Nations, Antient and Modern, published in London in 1757 by Jefferys, Geographer to his Royal Highness the Prince of Wales, in the Strand. The work has a parallel French title page, Recueil des Habillements de Différentes Nations, which is why each plate is captioned in both languages. The later plates of the volume form a series titled The Habits of the Principal Characters on the English Stage, recording how leading parts were dressed in the London theaters of the period. Oroonoko, Thomas Southerne's tragedy of 1695 based on Aphra Behn's novel, stayed in the London repertory through the eighteenth century, and Imoinda is its heroine. The preceding plate shows Imoinda from the front in a different gown.

Shown with the front view of Imoinda from the same series, the plate makes an attractive pair.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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