Madder & OchreBy Bartele Gallery
Madder & Ochre / Stone walls
Glossy Ibis Standing in Shallow Water, Plate CLVII after Lilian Medland, c. 1909, in the roomIn the room
Natural History Print · circa 1909

Glossy Ibis Standing in Shallow Water, Plate CLVII after Lilian Medland, c. 1909

€290BG-14331-3-33

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #E0D8C5RGB 224, 216, 19784%
Charcoal · #4B4B3FRGB 75, 75, 637%
Taupe · #747263RGB 116, 114, 996%
Stone gray · #A09C89RGB 160, 156, 1373%
Sheet
25 cm × 31 cm (width × height)
Framed as shown
44 cm × 50 cm
Shown on
Stone wall
Size
Medium, 50 to 80 cm (20 to 31 in) framed
Date
circa 1909
Technique
Photogravure
Color
Uncolored
Condition
Good
Stock no.
BG-14331-3-33

This is an original antique bird print, a photogravure printed in black and gray tones without added color. It shows a Glossy Ibis standing on one leg in shallow water before a stand of reeds, facing the viewer's right. The long, slender, downcurved bill hangs below the head, and the dark plumage is modeled in soft gradations of tone, with the feather edges of the wing coverts lightly picked out. The thin neck is drawn into a gentle curve, and the bird's leg and its reflection break the still water.

The plate is lettered "PLATE CLVII" at lower right and "1/2 scale" at lower center, the scale at which the bird is drawn. The artist's signature, "L. M. Medland", is drawn into the image. No species name is printed on the plate; the identification given here is made from the drawing itself.

The plate comes from The Birds of the British Islands by Charles Stonham, published in London by E. Grant Richards in five volumes between 1906 and 1911. This plate belongs to the third volume. The illustrations were drawn by Lilian M. Medland and reproduced by photogravure, a photomechanical intaglio process that carries the soft gradations of a wash drawing and leaves a plate mark around the image. Stonham's text follows the birds in systematic order, and this volume moves through the cormorants, gannet, herons, storks, ibis and spoonbill to the geese and ducks.

The monochrome image suits a simple frame with a wide mat, and it works well alone or alongside other plates from the same volume.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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