Madder & OchreBy Bartele Gallery
Madder & Ochre / Sage walls
Feast of Tabernacles and the Queen of Sheba Visits Solomon, Mortier, circa 1700, in the roomIn the room
Engraving · circa 1700

Feast of Tabernacles and the Queen of Sheba Visits Solomon, Mortier, circa 1700

€260BG-12063-183

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #C9C2ABRGB 201, 194, 17136%
Taupe · #7C7865RGB 124, 120, 10142%
Stone gray · #A29D87RGB 162, 157, 13514%
Charcoal · #545244RGB 84, 82, 688%
Sheet
28 cm × 45 cm (width × height)
Framed as shown
50 cm × 67 cm
Shown on
Sage wall
Size
Medium, 50 to 80 cm (20 to 31 in) framed
Date
circa 1700
Technique
Copper Engraving
Color
Uncolored
Condition
Good
Stock no.
BG-12063-183

This original copperplate engraving from Pieter Mortier's illustrated Bible, Amsterdam circa 1700, shows two biblical scenes on one sheet: 1 Kings 8:65, the Feast of Tabernacles, and 1 Kings 10:1, the Queen of Sheba comes to see Solomon. The upper scene illustrates 1 Kings chapter 8, verse 65, the Feast of Tabernacles held by Solomon with all Israel after the dedication of the Temple. People gather branches and build leafy booths in a spacious garden setting lined with terraced buildings, a lively scene of festival preparation.

The lower scene shows 1 Kings chapter 10, verse 1, the visit of the Queen of Sheba, who came to test Solomon with hard questions and brought gold, spices and precious stones. Solomon and the queen sit enthroned together beneath a draped canopy while servants unpack vessels of treasure on the steps. Each scene carries its own engraved caption with the scripture reference in Dutch and French, and the sheet is numbered 98 in the lower margin.

Pieter Mortier, the Amsterdam publisher and bookseller, issued his illustrated Bible circa 1700 as a showpiece of Dutch Baroque printmaking. Its contributing artists included Gerard Hoet, Arnold Houbraken and Bernard Picart, and the plates present the biblical narrative as a sequence of theatrical scenes, crowded with figures and set among classical architecture and wide landscapes. The lower margin carries the signature of Ottmar Elliger as designer, together with an engraver's signature that is too faint to read with confidence. The sheet is printed on laid paper with full margins, and the reverse is blank.

The sheet would suit a library, a study or a quiet corner of a living room, where its fine line work rewards close viewing. Hung in a group with other Mortier plates, it becomes part of a continuous illustrated narrative of the Books of Kings.

The sheet is in good condition for its age, with light toning, small chips at the left edge and a few spots in the margins; the image itself is clean and strong.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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