Madder & OchreBy Bartele Gallery
Madder & Ochre / Ochre walls
Elegant Hand-Colored Fern Print, Aspidium trifoliatum, Plate 28, 1806-1809, in the roomIn the room
Natural History Print · 1806-1809

Elegant Hand-Colored Fern Print, Aspidium trifoliatum, Plate 28, 1806-1809

€210BG-14438-46

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #D6D7BDRGB 214, 215, 18945%
Sage · #95AF77RGB 149, 175, 11934%
Moss · #626D49RGB 98, 109, 739%
Sap green · #728657RGB 114, 134, 878%
Sage · #8C946ERGB 140, 148, 1104%
Sheet
20 cm × 24 cm (width × height)
Framed as shown
38 cm × 42 cm
Shown on
Ochre wall
Size
Small, up to 50 cm (20 in) framed
Date
1806-1809
Technique
Copper Engraving
Color
Original hand color
Condition
Good
Stock no.
BG-14438-46

This original antique hand-colored copper engraving of Aspidium trifoliatum is plate 28 from Christian Schkuhr's survey of the ferns and fern allies, printed at Wittenberg between 1806 and 1809. Aspidium is Schkuhr's name for the shield ferns, the group that later botanists split into Dryopteris, Polystichum and their relatives. The sheet is lettered Aspidium trifoliatum beneath the figure, in the engraved script Schkuhr used throughout the work, and the plate number is engraved at the upper right. Beside the habit drawing Schkuhr adds the small lettered analyses he is known for, the spore cases, the scales and the sections that make the plate useful to a botanist as well as pleasant to look at.

Christian Schkuhr, 1741 to 1811, is one of the few botanical authors who was also his own artist, engraver and publisher. He came to botany from gardening, settled at Wittenberg, and devoted himself to the Linnaean system. This sheet belongs to his volume on the ferns and their allies, published at Wittenberg in nine instalments between 1806 and 1809, with 221 copper plates in all. The numbering runs to 173, with supplementary lettered plates inserted where he had more to show than one sheet would hold.

The sheet is a copper engraving finished in watercolor by hand, and the coloring is original to the period of publication. The wash sits over the engraved outline and varies from figure to figure in the way hand work does, with the greens laid in several strengths to separate the upper and lower surfaces of the frond. The paper carries the plate mark of the copper plate. A plate of this kind is easy to live with. The green against the warm paper is quiet, the drawing is precise, and the sheet works alone above a desk or in a run of three or four down a hallway. Collectors of botanical art, of early natural history illustration and of German copperplate work all look for Schkuhr's sheets.

Light uneven toning, browner towards the edges. Marked handling soiling along all four edges. Scattered light foxing in the margin. Slight wear at the bottom right corner.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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