Madder & OchreBy Bartele Gallery
Madder & Ochre / Cream walls
Elegant Antique Hand-Colored Botanical Fern Print, Aspidium depastum, 1806-1809, in the roomIn the room
Natural History Print · 1806-1809

Elegant Antique Hand-Colored Botanical Fern Print, Aspidium depastum, 1806-1809

€190BG-14438-79

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #CFCCA9RGB 207, 204, 16968%
Olive · #81855ARGB 129, 133, 909%
Sage · #979F69RGB 151, 159, 1059%
Moss · #706C4DRGB 112, 108, 776%
Sage · #969774RGB 150, 151, 1165%
Straw · #C5BA8CRGB 197, 186, 1403%
Sheet
20 cm × 24 cm (width × height)
Framed as shown
38 cm × 42 cm
Shown on
Cream wall
Size
Small, up to 50 cm (20 in) framed
Date
1806-1809
Technique
Copper Engraving
Color
Original hand color
Condition
Good
Stock no.
BG-14438-79

This hand-colored antique copper engraving shows Aspidium depastum, and is plate 51 from the fern volume of Christian Schkuhr's cryptogamic flora, Wittenberg, 1806 to 1809. Aspidium is Schkuhr's name for the shield ferns, the group that later botanists split into Dryopteris, Polystichum and their relatives. The sheet is lettered Aspidium depastum beneath the figure, in the engraved script Schkuhr used throughout the work, and the plate number is engraved at the upper right. Beside the habit drawing Schkuhr adds the small lettered analyses he is known for, the spore cases, the scales and the sections that make the plate useful to a botanist as well as pleasant to look at.

This is one of the 221 copper plates of Christian Schkuhr's volume on the cryptogamic plants, the ferns, club mosses, horsetails and water ferns that stand as the twenty-fourth class of the Linnaean system. Schkuhr drew the plants, cut the plates and published the work himself at Wittenberg, issuing it in nine parts between 1806 and 1809. The bibliography records it at Pritzel 8205, and the first impressions were printed on bluish paper, as this sheet is.

The sheet is a copper engraving finished in watercolor by hand, and the coloring is original to the period of publication. The wash sits over the engraved outline and varies from figure to figure in the way hand work does, with the greens laid in several strengths to separate the upper and lower surfaces of the frond. The paper carries the plate mark of the copper plate. Hung singly the plate makes a calm, graphic statement; grouped with others from the same volume it makes a wall. The uniform sheet size and the shared palette mean these plates frame and group easily, which is how most buyers use them, in a study, a bedroom, a garden room or a professional office.

Light uneven toning, browner towards the edges. Handling soiling along the right and top edges. A few small foxing spots in the margin. Slight wear at the bottom left and bottom right corners. Minor edge wear, shallow nicks along the left.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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