Madder & OchreBy Bartele Gallery
Madder & Ochre / Ochre walls
Decorative 19th Century Hand-Colored Fern Print, Polypodium lunulatum, 1806-1809, in the roomIn the room
Natural History Print · 1806-1809

Decorative 19th Century Hand-Colored Fern Print, Polypodium lunulatum, 1806-1809

€190BG-14438-35

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #D1D5BDRGB 209, 213, 18960%
Moss · #747B5BRGB 116, 123, 9128%
Sage · #93987CRGB 147, 152, 1246%
Sage · #9DA675RGB 157, 166, 1176%
Sheet
20 cm × 24 cm (width × height)
Framed as shown
38 cm × 42 cm
Shown on
Ochre wall
Size
Small, up to 50 cm (20 in) framed
Date
1806-1809
Technique
Copper Engraving
Color
Original hand color
Condition
Good
Stock no.
BG-14438-35

An original antique botanical engraving of Polypodium lunulatum, hand-colored on bluish paper, plate 23 from Christian Schkuhr's study of the ferns and their allies, Wittenberg, 1806 to 1809. Polypody is the genus Schkuhr gives most room to, and it runs through the first third of the volume. The sheet is lettered Polypodium lunulatum beneath the figure, in the engraved script Schkuhr used throughout the work, and the plate number is engraved at the upper right. Beside the habit drawing Schkuhr adds the small lettered analyses he is known for, the spore cases, the scales and the sections that make the plate useful to a botanist as well as pleasant to look at.

This is one of the 221 copper plates of Christian Schkuhr's volume on the cryptogamic plants, the ferns, club mosses, horsetails and water ferns that stand as the twenty-fourth class of the Linnaean system. Schkuhr drew the plants, cut the plates and published the work himself at Wittenberg, issuing it in nine parts between 1806 and 1809. The bibliography records it at Pritzel 8205, and the first impressions were printed on bluish paper, as this sheet is.

Printed from a copper plate and colored by hand when it was published, the sheet shows the qualities that separate original hand coloring from printed color: the wash crosses the engraved line in places, the strength of the green changes across the frond, and the fine work on the spore cases is picked out in a browner tone over the engraving. The plate mark is visible in the paper. Hung singly the plate makes a calm, graphic statement; grouped with others from the same volume it makes a wall. The uniform sheet size and the shared palette mean these plates frame and group easily, which is how most buyers use them, in a study, a bedroom, a garden room or a professional office.

Light uneven toning, browner towards the edges. Handling soiling along the right edge. Scattered light foxing in the margin. All four corners complete.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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