Madder & OchreBy Bartele Gallery
Madder & Ochre / Sage walls
Decorative 19th Century Hand-Colored Fern Engraving, Onoclea Boryana, 1806-1809, in the roomIn the room
Natural History Print · 1806-1809

Decorative 19th Century Hand-Colored Fern Engraving, Onoclea Boryana, 1806-1809

€173BG-14438-143

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #DCD6C0RGB 220, 214, 19280%
Sepia · #675B3FRGB 103, 91, 637%
Sepia · #806C46RGB 128, 108, 705%
Taupe · #979072RGB 151, 144, 1143%
Moss · #6A734ERGB 106, 115, 783%
Olive · #878A4CRGB 135, 138, 763%
Sheet
20 cm × 24 cm (width × height)
Framed as shown
38 cm × 42 cm
Shown on
Sage wall
Size
Small, up to 50 cm (20 in) framed
Date
1806-1809
Technique
Copper Engraving
Color
Original hand color
Condition
Good
Stock no.
BG-14438-143

Onoclea Boryana is the subject of this original antique copper engraving, hand-colored, plate 105.b from Christian Schkuhr's account of the ferns, club mosses and horsetails published at Wittenberg from 1806 to 1809. Onoclea in Schkuhr's sense gathers the sensitive fern, the ostrich fern and the climbing ferns of the New World. The sheet is lettered Onoclea Boryana beneath the figure, in the engraved script Schkuhr used throughout the work, and the plate number is engraved at the upper right. Beside the habit drawing Schkuhr adds the small lettered analyses he is known for, the spore cases, the scales and the sections that make the plate useful to a botanist as well as pleasant to look at.

This is one of the 221 copper plates of Christian Schkuhr's volume on the cryptogamic plants, the ferns, club mosses, horsetails and water ferns that stand as the twenty-fourth class of the Linnaean system. Schkuhr drew the plants, cut the plates and published the work himself at Wittenberg, issuing it in nine parts between 1806 and 1809. The bibliography records it at Pritzel 8205, and the first impressions were printed on bluish paper, as this sheet is.

Printed from a copper plate and colored by hand when it was published, the sheet shows the qualities that separate original hand coloring from printed color: the wash crosses the engraved line in places, the strength of the green changes across the frond, and the fine work on the spore cases is picked out in a browner tone over the engraving. The plate mark is visible in the paper. Hung singly the plate makes a calm, graphic statement; grouped with others from the same volume it makes a wall. The uniform sheet size and the shared palette mean these plates frame and group easily, which is how most buyers use them, in a study, a bedroom, a garden room or a professional office.

Light uneven toning, browner towards the edges. Marked handling soiling along the bottom, right and top edges. Scattered light foxing in the margin. Slight wear at the bottom right corner.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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