Madder & OchreBy Bartele Gallery
Madder & Ochre / Cream walls
Border for Ercole d'Este and Boccaccio's Famous Women, 1849, in the roomIn the room
Lithograph · 1849

Border for Ercole d'Este and Boccaccio's Famous Women, 1849

€260BG-12228-2-37

Interior designers: BarTrade members buy at their trade price. How it works

Shown framed for scaleYou receive the original sheet, unframed. Pieces may ship rolled. Ask us for a conservation framer near you or the project.
Colors in this print
Paper tone · #DED4C1RGB 222, 212, 19351%
Taupe · #96845FRGB 150, 132, 9519%
Slate blue · #5D6B95RGB 93, 107, 14911%
Sepia · #6D675BRGB 109, 103, 9110%
Coral · #B37563RGB 179, 117, 996%
Celadon · #729A75RGB 114, 154, 1173%
Sheet
21 cm × 28 cm (width × height)
Framed as shown
40 cm × 47 cm
Shown on
Cream wall
Size
Small, up to 50 cm (20 in) framed
Date
1849
Technique
Chromolithograph
Color
Printed color
Condition
Good
Stock no.
BG-12228-2-37

A full Renaissance border of the Ferrarese kind, white vine scroll and blue and pink flowers studded with gold bosses, enclosing a miniature of men fighting with staves in a walled garden, with the arms of the house of Este in a laurel wreath at the foot. The sheet is lettered as the border of a book executed for Ercole d'Este, from a manuscript then belonging to the Baron d'Hervey de Saint Denys, together with a miniature from the Famous Women of Boccaccio in the Bibliotheque de l'Arsenal.

The plate belongs to the second volume of Lacroix and Sere's Le Moyen Age et la Renaissance, Paris, 1849, a work that set out to describe the manners, trades, sciences, letters and fine arts of Europe between the fall of Rome and the end of the sixteenth century. Each sheet was drawn from the original object or manuscript and printed in chromolithography, a process still new in 1849 and here used with unusual richness.

Ercole d'Este, Duke of Ferrara, was among the greatest book patrons of fifteenth century Italy and his arms on a page are a mark of the highest quality of Italian illumination. The border is complete on all four sides, which is what a decorator wants, and the sheet works as well in a Renaissance interior as beside a modern painting.

Even age toning. Marked handling soiling along the right and top edges. Scattered light foxing in the margin. All four corners complete.

This is an original antique print, not a modern reproduction. This item is sold unframed.

In the same colors.

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